” Cue the Perpetually Offended Brigade. A group on Twitter called the Latino Rebels freaked out, crying “RACISM!” and “THIS IS OFFENSIVE.” They weren’t the only ones. Plenty of people who enjoy playing the race card whenever possible, and who enjoy silencing anyone with whom they disagree in the name of political correctness jumped on the bandwagon to feign outrage over Varvel’s cartoon.
So, on Saturday, the executive editor of the Star, Jeff Taylor, took down the cartoon altogether, and wrote an editorial apologizing for putting it up. He said, “On Friday, we posted a Gary Varvel cartoon at indystar.com that offended a wide group of readers. Many of them labeled it as racist. Gary did not intend to be racially insensitive in his attempt to express his strong views about President Barack Obama’s decision to temporarily prevent the deportation of millions of immigrants living and working illegally in the United States. But we erred in publishing it.
The cartoon depicted an immigrant family climbing through a window of a white family’s home as Thanksgiving dinner was served. I was uncomfortable with the depiction when I saw it after it was posted. We initially decided to leave the cartoon posted to allow readers to comment and because material can never truly be eliminated once it is circulating on the web. But we are removing the cartoon from the opinion section of our website, as well as an earlier version posted on Facebook that showed one character with a mustache.”
Feel free to tweet the Star or respond to their editorial to let them know that they shouldn’t allow themselves to be bullied. And while you’re at it, let Gary know that you think race-baiters suck, and that his cartoon was great. “
Read the rest at Chicks On The Right
” A taut, vivid and sad account of the brief life of the most accomplished marksman in American military annals, American Sniper feels very much like a companion piece — in subject, theme and quality — toThe Hurt Locker. Starring a beefed-up and thoroughly Texanized Bradley Cooper as we’ve never seen him before, Clint Eastwood’s second film of 2014 is his best in a number of years, as it infuses an ostensibly gung-ho and patriotic story with an underlying pain and melancholy of a sort that echoes the director’s other works about the wages of violence. Unlike The Hurt Locker, however, this Warner Bros. Christmas release should enjoy a muscular box-office career based on the extraordinary popularity of its source book by the late Navy SEAL Chris Kyle, Cooper’s star status and its “God, country, family” aspects that will draw that part of the public that doesn’t often go to the movies.
The gun — along with its significance to the United States, past and present — has been Eastwood’s most frequent co-star since the beginning of his career and has played a major role in most of his best films, from the Westerns and the Dirty Harrys to the war dramas. As the title suggests, a gun — or, more precisely, an extremely high-powered rifle — shares the screen with Cooper here, although it is not at all fetishized in the manner that weapons are in the book. “
Read the whole review here