2 tablespoons dijon mustard
1/2 teaspoon thyme leaves, chopped
1/4 teaspoon cayenne pepper
4 boneless, skinless chicken breast halves (about 8 ounces each)
3/4 cup freshly grated parmesan cheese
3/4 cup panko or dried coarse baguette breadcrumbs
” Holler House Tavern was decorated with hundreds of bras left by female patrons for nearly half a century, until a Milwaukee, Wisc., city inspector decided that the sartorial decor constituted a fire hazard.
The city agreed to overturn the bra ban, which means Skowronski will get to re-hang the bras that hundreds of women have left there over the years.”
” In all, the original Allman Brothers Band lineup appeared together on The Allman Brothers Band, Idlewild South, The Allman Brothers Band at Fillmore East, and portions of Eat a Peach, released after Duane’s death in a 1971 motorcycle accident.
My conversation with Dickey Betts took place on July 16, 1981. Dickey understood that this interview was in honor of the 10th anniversary of Duane’s passing, and he told me he was happy to focus totally on Duane. I admired him then — and still do today — for doing it. Later on, I did do an in-depth interview with Dickey about his own playing.”
Would you describe how he played slide?
Duane played slide guitar more like a harmonica than he did a guitar. Like we were talking about him listening to Elmore James, he also listened to all the harp players – Sonny Boy Williamson and all that. He really played a lot of harmonica licks on slide guitar. He used glass, a Coricidon bottle. That’s before you could buy ’em in music stores – you can buy ’em in music stores now. And he wore it in his ring finger, which is so unorthodox. Most people who play slide either wear it on their middle finger or their little finger, so you can fret the guitar. But that was the way he wanted to do it, you know. He wore the slide on his ring finger, and he didn’t use a pick. He’d use just the thumb and the first and second finger, kind of a fingerpicking style, which is the same style I’ve adopted on slide guitar. As I say, he influenced my electric slide immensely.
” Outstanding performances abound in this musical variety show filmed at Harlem’s Apollo Theatre, New York City in 1954. We highlight different shades of the blues in this clip with Amos Milburn doing Bad Bad Whiskey, Big Joe Turner with a great version of Shake Rattle & Roll and Cab Calloway surprising everyone with a version of Minnie the Moocher
You can download the entire movie at the link below. Or watch the individual performances here at MindsiMedia.
The American Folk-Blues Festival
The British Tours
Big Joe Turner (1966)
-Oh Well, Oh Well
Big Joe Turner : Vocal
Little Brother Montgomery : Piano
Otis Rush : Guitar
Jack Myers : Bass
Fred Below : Drums
Mark Knopfler, Eric Clapton, Sting & Phil Collins- Money for Nothing
” Big Joe Turner sings and Elmore James plays guitar on this novelty song credited as written by Joe’s wife, Lou Willie Turner. Cut in Chicago, October 1953.”
1 (18.25-ounce) box white cake mix
1 (3-ounce) box strawberry-flavored instant gelatin
1 (15-ounce) package frozen strawberries in syrup, thawed and pureed
4 large eggs
1/2 cup vegetable oil
1/4 cup water
Strawberry cream cheese frosting, recipe follows
Strawberry Cream Cheese Frosting
1/4 cup butter, softened
1 (8-ounce) package cream cheese, softened
1 (10-ounce) package frozen strawberries in syrup, thawed and pureed
1/2 teaspoon strawberry extract
7 cups confectioners’ sugar
Freshly sliced strawberries, for garnish, optional
” Gary Moore playing The Stumble at Montreux live in 1990
All Copyrights Are to Eagle Vision and The Montreux Live Jazz Festival”
Wembley Arena – a September 24, 2004, concert marking the 50th Anniversary of the Fender Stratocaster guitar.
Pino Palladino: Bass guitar; Ian Thomas: Drums & percussion.
Robert William Gary Moore (4 April 1952 — 6 Feb. 2011), was a Northern Irish musician, blues singer and guitarist.
In a career dating back to the 1960s, Moore played with artists including Phil Lynott and Brian Downey during his teens, leading him to memberships with the Irish bands Skid Row and Thin Lizzy on three separate occasions. Moore shared the stage with such blues and rock luminaries as B.B. King, Albert King, Colosseum II, George Harrison and Greg Lake, as well as having a successful solo career. He guested on a number of albums recorded by high profile musicians, including a cameo appearance playing the lead guitar solo on “She’s My Baby” from Traveling Wilburys Vol. 3.
Moore died in his sleep of a heart attack in his hotel room while on holiday in Estepona, Spain, in February 2011.
“Red House” is a song written by Jimi Hendrix and originally recorded by The Jimi Hendrix Experience in 1966. The song, a slow twelve-bar blues, “is one of the most traditional in sound and form of all his official recordings”. It was developed during his pre-Experience days while Hendrix was performing in Greenwich Village and was inspired by earlier blues songs. Hendrix recorded several studio and live versions during his career. “
1/2 sleeve (about 20) whole-grain salted crackers, pulsed in a food processor until fine (about 1/2 cup)
2 1/2 cups corn cereal flakes, pulsed in a food processor to fine crumbs (about 1/2 cup)
2 tablespoons sesame seeds
3/4 teaspoon cayenne pepper
1/2 teaspoon garlic powder
2 egg whites
1 cup lowfat, plain yogurt
1 tablespoon Dijon mustard
1/2 teaspoon salt
Olive oil cooking spray
4 medium sized skinless chicken breasts and 4 skinless chicken thighs, rinsed and patted dry (about 3 1/2 pounds chicken)
Jon Stewart Takes CNN To Task With Epic Mockery Of Network’s Jodi Arias Trial Coverage
” Jon Stewart has repeatedly ridiculed and slammed CNN in the past few weeks, most recently on Monday during an interview with Christiane Amanpour. He gave the cable network a brief respite Tuesday night before going right back to hammering them for one particularly odd moment in their otherwise unexciting coverage of the Jodi Arias trial: Ashleigh Banfield doing a satellite interview with Nancy Grace… when the two of them were a few feet away from each other in the same Arizona parking lot.
Stewart explained how Banfield and Grace were set up as if they were in different locations, it’s pretty obvious that the same vehicles are going through both shots. Which meant either they were sitting pretty close to each other or, as Stewart hypothesized, it could be that Arizona is plagued by a “seven-mile long Bus Ness Monster.”
Stewart was amazed by the audacity of CNN making his “pretty shameful” gesture, though he figured it could have been because Banfield has taken out a restraining order against Nancy Grace. They did try to create the illusion of not being so close to each other, and when Grace couldn’t hear Banfield right, Stewart just shouted at her to “take your finger out of your fucking ear because she’s right there!” He asked, “Is anyone at CNN allowed indoors anymore?” “
” Ari Folman’s eagerly-awaited follow-up to ‘Waltz with Bashir’ premieres at Cannes on Thursday. This time the Israeli director mixes animation and flesh-and-blood actors in a sci-fi venture.
Folman’s long journey with “Waltz with Bashir” has turned him into an experienced stage animal. Still, most interesting at Holon were the slivers he revealed about “The Congress,” which is based on the book “The Futurological Congress” by Polish sci-fi novelist Stanislaw Lem.
Folman was introduced to Lem’s 1971 book when he was 16, he says. It’s an allegory about the communist regime: a dictatorial state that feeds its citizens drugs to control them more easily. He reread it as a student, and when he was looking for an idea for his new film, the book sprang to mind.
Folman’s “The Congress,” then, is a loose adaptation of Lem’s book and takes plenty of liberties deviating from the source. Wright (“The Princess Bride,” “House of Cards”) appears as herself. She plays an aging actress who receives a surprising offer from a Hollywood studio: They offer to build a three-dimensional figure that would look and sound exactly like her, and send that figure to act in films. That way she would stay eternally young. They offer her a generous payment, but she would have to give up her acting career completely.”