Category: Holidays


Happy Birthday Gary

 

 

 

Early Life And Career

” Moore started performing at a young age, having picked up a battered acoustic guitar at the age of eight. He got his first quality guitar at the age of 14, learning to play the right-handed instrument in the standard way despite being left-handed. He moved to Dublin in 1968 at the age of 16. His early musical influences were artists such as Albert KingElvis PresleyThe Shadows and The Beatles. Later, having seen Jimi Hendrix and John Mayall’s Bluesbreakers in his home town of Belfast, his own style was developing into a blues-rock sound that would be the dominant form of his career in music.

Moore’s greatest influence in the early days was guitarist Peter Green of Fleetwood Mac who was a mentor to Moore when performing in Dublin. Green’s continued influence on Moore was later repaid as a tribute to Green on his 1995 album Blues for Greeny, an album consisting entirely of Green compositions. On this tribute album, Moore played Green’s 1959 Les Paul Standard guitar which Green had lent to Moore after leaving Fleetwood Mac. Moore ultimately purchased the guitar, at Green’s request, so that “it would have a good home”.

While less popular in the US, Moore’s work “brought substantial acclaim and commercial success in most other parts of the world – especially in Europe”. Throughout his career, Moore was recognised as an influence by many notable guitarists including Vivian Campbell, Patrick Rondat, John NorumPaul Gilbert, Gus GSlashOrianthiJoe BonamassaAdrian SmithDoug AldrichZakk Wylde, Randy RhoadsJohn Sykes and Kirk Hammett.

He collaborated with a broad range of artists including Phil LynottGeorge Harrison,Trilok GurtuDr. Strangely StrangeColosseum IITravelling WilburysAlbert Collins,Jimmy NailMo FosterGinger BakerJack BruceJim CapaldiB.B. KingBob Dylan,Vicki BrownCozy PowellRod Argentthe Beach BoysOzzy OsbournePaul RodgersKeith EmersonRoger DaltreyAlbert King and together with Colosseum II with Andrew Lloyd Webber on the composer’sVariations album in 1978. He experimented with many musical genres, including rock, jazzbluescountryelectric blueshard rock and heavy metal.[9]

In 1968, aged 16, Moore moved to Dublin to join the group Skid Row with Noel Bridgeman and Brendan “Brush” Shiels. It was with this group that he earned a reputation in the music industry, and his association with Phil Lynott began.

 

 

 

 

 

 

 

 

Allmusic:

” Skid Row would go on to issue several singles and albums (including 1970′s Skid and 1971′s 34 Hours), and although the group mounted a few tours of Europe and the U.S., it failed to obtain breakthrough commercial success, leading to Moore‘s exit from the group in 1972.Moore then formed his own outfit, the Gary Moore Band (along with members drummer Pearse Kelly and bassist John Curtis), for which the guitarist also served as vocalist. But after the trio’s debut album, 1973′s Grinding Stone, sunk without a trace, Moore hooked up once more with ex-bandmate Lynott in Thin LizzyMoore‘s initial tenure in Lizzy proved to be short-lived, however, as his fiery playing was featured on only a handful of tracks. Moore then set his sights on studio work (appearing on Eddie Howell‘s 1975 release, Gramaphone Record), before joining up with a prog rock/fusion outfit, Colosseum II.

 

 

 

 

 

 

 

 

” But once more, Moore‘s tenure in his latest outfit was fleeting; he appeared on only three recordings (1976′s Strange New Flesh, plus a pair in 1977, Electric Savage and War Dance), as Moore accepted an invitation by his old buddy Lynott to fill in for a Thin Lizzy U.S. tour, playing arenas opening for Queen.”

 

 

 

 

 

 

 

 

About Gary Moore

” Moore proved to be quite busy in 1978, as the guitarist appeared on three other artists’ recordings — Andrew Lloyd Webber’s Variations, Rod Argent’s Moving Home, and Gary Boyle’s Electric Glide. The same year, Moore issued his second solo release (almost five years after his solo debut), Back on the Streets, which spawned a surprise Top Ten U.K. hit in May of 1979, the bluesy ballad “Parisienne Walkways,” and featured vocal contributions by Lynott. Moore joined forces with his Lizzy mates once more in 1979, appearing on arguably the finest studio album of their career, Black Rose, which proved to be a huge hit in the U.K. (for a fine example of Moore’s exceptional guitar skills, check out the album’s epic title track). But predictably, Moore ultimately exited the group once more (this time right in the middle of a U.S. tour), as a rift had developed between Moore and Lynott. Undeterred, Moore lent some guitar work to drummer Cozy Powell’s solo release, Over the Top, in addition to forming a new outfit, G Force, which would only remain together for a lone self-titled release in 1980.”

 

 

 

 

 

 

 

 

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Irish Rockers

” In the 1980s Gary established his reputation as one of the top guitarists on the heavy metal scene with a series of rock albums that showcased his skill. Kirk Hammett of Metallica, who cites Gary as one of his top 5 influences, sums up Gary’s style of playing very well: “Gary’s technique was very modern, but his guitar style was very blues-based. His phrasing was very, very blues-based. He played long, sustained notes coupled with really super fast-picked notes and he had a great legato style“.

 

 

 

 

 

 

 

” In 1990, Moore returned to his blues roots with ‘Still Got the Blues’, with contributions from Albert King, Albert Collins and George Harrison. The album was well received by fans and was his biggest seller. He stayed with the blues format until 1997, when he decided to experiment with modern dance beats on Dark Days in Paradise; this left many fans, as well as the music press, confused. With Back to the Blues, Moore return to his tried and tested blues format in 2001. In 2002 he got back to more of a hard rocking style with the album Scars. He also returned to playing some of his metal-period material in the 2003 Monsters of Rock Tour. Then he continued on with the blues rock style on Power of the Blues (2004), Old New Ballads Blues (2006), Close As You Get (2007) and Bad For You Baby (2008).”

 

 

 

 

 

 

 

Gary Moore Official Website

 

” The, Back To The Blues’ (2001) album saw him revisit The Blues with renewed vigour and determination, after the more experimental ‘Dark Days In Paradise’ (1997) and ‘A Different Beat’ (1999) albums. A ten-track collection that mixed excellent Moore originals, with gritty and intense covers of standards. But, in the tradition of keeping his fans and critics guessing, 2002 saw Gary Moore crashing back onto the music scene with what had to be his heaviest collection of songs since the late 1980′s, once again forcing people to reassess any opinions and preconceptions they might have had of him.”

 

 

 

 

 

 

 

” That time round though, Moore had decided to share the limelight, joining forces with ex-Skunk Anansie bassist Cass Lewis and Primal Scream drummer Darrin Mooney to form ‘Scars’, a true power trio in every respect. The ‘Scars’ album was completed in early 2002 and that line-up, then went on to record the ‘Live at the Monsters of Rock’ (2003) live CD and DVD, which featured the band’s set as performed on two separate nights on the UK Tour in May 2003. That live set encompassed a diverse range of material, from across Gary’s playing career.”

 

 

 

 

 

 

 

” 2004 saw possibly the rawest album yet, with ‘Power of the Blues’. The 10-track set, recorded mostly live in the studio, ranged from the hard rock/blues of the title track, via the upbeat swing of “Can’t find my baby”, to the haunting “Torn Inside”.

 

 

 

” Taking time out in August 2005, for a brief reunion with former Thin Lizzy band members, for a one off concert in Dublin, to mark the occasion of Phil Lynott’s birth. The evening was filmed for the 2006 DVD release, ‘Gary Moore and Friends, One Night in Dublin, A Tribute to Phil Lynott’.

 

 

 

 

 

 

 

” With his 2007 studio album ‘Close As You Get’, Gary continued in a direction not too dissimilar from ‘Old, New, Ballads, Blues’, released in 2006. Mixing original tunes with some interesting Blues covers that Gary had rediscovered, whilst researching for his award winning radio series, “Blues Power”, on Planet Rock (UK based digital/internet “radio” station). September 2008 saw the release of what would turn out to be Gary’s last studio album, “Bad for you Baby”. Again, a powerful collection of tracks, of original material and selected blues covers. After being on the road for most of 2008 and into 2010 with the “Blues” line up of the touring band. Gary returned from a tour of Russia and the Far East, and decided to reunite with his old sparring partner from the rock line up’s of the 1980’s, Neil Carter. The plan was to put together a “Rock” line up and dust off a selection of tracks from the mid to late 1980’s.”

 

 

 

“Adding Jon Noyce, (ex Jethro Tull/Sessions) on bass, some one who was also part of the, “One Night in Dublin” Tribute DVD in 2005, and Darrin Mooney (Primal Scream/Sessions) on drums, who was no stranger to the touring and recording line during the late 1990’s and early 2000’s. This line up, hit the road in May of 2010, performing a live set based around a selection of tracks from the “Rock Years” of the 1980′s. This proved to be a real treat for fans, old & new, as many would have not heard Gary play these songs live, either for a very long time, or in many cases, at all. In addition to the older tunes, a number of new “Celtic Rock” style tracks were included in the show, which went down very well with the live audiences. Tracks, which Gary was planning to record and embellish, on his next studio project. A project that was ready to start when Gary returned from a short holiday break.”

 

 

 

 

 

 

 

” Unfortunately, that was not to be, as Gary passed away in his sleep in the early hours of February 6th, 2011, in Estepona, Spain. After being such a “force of nature” in the guitar-playing firmament, for many years, as part of a professional career that began when he was only 16. He leaves behind a huge hole for many, not just his close family and friends, but guitar fans around the world.”

 

 

 

 

 

 

 

 

 

” Of all the many tributes paid since Gary’s passing, maybe this one, from Gary’s friend and musical collaborator, Don Airey, might sum up the best of most people’s thoughts of Gary: “At the 1984 Donington Festival during the long solo in “Empty Rooms” the previously restive crowd went so quiet, you could hear a pin drop – everyone back and behind stage stopped whatever they were doing and just stood to listen open-mouthed. His artistry touched thousands of people over the years, not least those of us lucky enough to have shared a stage or a recording studio with him. Sleep tight old mate, you’ll be sorely missed.” “

 

 

 

 

 

 

Gary Moore


RIP


1952 – 2011

 

 

 

Discography

Albums

Grinding Stone

‎ ◄ (4 versions)

P.I. Records 1973

Gary Boyle Featuring: Gary MooreRobert Awhai*, Kenny Shaw* - Electric Glide ‎ ◄ (5 versions)

Gull 1978

Back On The Streets

‎ ◄ (14 versions)

MCA RecordsMCA RecordsMCA Records 1978

Corridors Of Power

‎ ◄ (18 versions)

Virgin 1982

Rockin’ Every Night – Live In Japan

‎ ◄ (10 versions)

Virgin 1983

Victims Of The Future

‎ ◄ (15 versions)

Virgin 1983

Live

‎ ◄ (2 versions)

Jet Records 1983

We Want Moore!

‎ ◄ (9 versions)

10 Records 1984

Dirty Fingers

‎ ◄ (13 versions)

Castle Classics 1984

We Want Moore!

‎ (LP, Album + 12″)

10 Records 1984

Run For Cover

‎ ◄ (12 versions)

10 Records 1985

G-Force (19) & Gary Moore - G-Force ‎ ◄ (7 versions)

VictoriaJet Records 1987

Live At The Marquee

‎ ◄ (10 versions)

Raw Power 1987

Wild Frontier

‎ ◄ (20 versions)

10 Records 1987

Phil CollinsGary MooreRod Argent - Wild Connections ‎ ◄ (5 versions)

Tring International PLC 1987

Don Airey Featuring: Gary MooreCozy PowellChris Thompson & Colin Blunstone - K2 (Tales Of Triumph & Tragedy) ‎ ◄ (4 versions)

MCA Records 1988

After The War

‎ ◄ (16 versions)

VirginVirgin 1989

Still Got The Blues

‎ ◄ (20 versions)

VirginVirgin 1990

Skid Row (2) Feat. Gary Moore - 34 Hours ‎ (CD, Album, RE)

Repertoire Records 1990

After Hours

‎ ◄ (11 versions)

VirginVirgin 1992

Blues Alive

‎ ◄ (9 versions)

VirginVirgin 1993

Blues For Greeny

‎ ◄ (5 versions)

Virgin 1995

Greg Lake Feat. Gary Moore - King Biscuit Flower Hour Presents Greg Lake In Concert ‎ (CD)

King Biscuit Flower Hour Records 1995

Dark Days In Paradise

‎ ◄ (3 versions)

Virgin 1997

A Different Beat

‎ ◄ (2 versions)

Raw Power 1999

Corridors Of Power / Run For Cover – The Back To Back Collection

‎ (2xCD, Album, RM, RE, Dig)

Axe Killer Records 2000

Back To The Blues

‎ (CD, Album)

Sanctuary Records 2001

Scars

‎ ◄ (4 versions)

Sanctuary Records 2002

Live At Monsters Of Rock

‎ ◄ (2 versions)

Sanctuary Records 2003

Power Of The Blues

‎ (CD, Album)

Sanctuary Records 2004

Old New Ballads Blues

‎ ◄ (3 versions)

Eagle Records 2006

Close As You Get

‎ ◄ (3 versions)

Eagle RecordsEagle Records 2007

Bad For You Baby

‎ ◄ (2 versions)

Eagle Records 2008

Essential Montreux

‎ (5xCD, Box)

Eagle RecordsEagle Records 2009

Live At Montreux 2010

‎ (CD, Album)

Eagle RecordsEagle Records 2011

Blues For Jimi

‎ ◄ (4 versions)

Eagle Records 2012

Gary Boyle Featuring: Gary MooreRobert Awhai*, Kenny Shaw* - Electric Glide ‎ (CD, Album, RE, RM)

Esoteric Recordings 2012

 

 

 

 

 

 

 

 

Concert Videos

Gary Moore - Live Blues (1993) Special guest B. B. King FULL CONCERT

Gary Moore – Avo Session

Gary Moore – Blues for greeny. complete

BBM (Bruce, Baker, Moore) – Live At Germany (1993)

[Complete] Gary Moore – Live At Monsters Of Rock (Sheffield Arena 2003)

GBD- Gary Moore Wild Frontier Tour 1987 (Isstadion Stockholm)

Gary Moore & The Midnight Blues Band – Live at Montreux 1990

Gary Moore playing for the last time – Guitarist Magazine

 

 

Interviews

Gary Moore – Interview 2004

Gary Moore interview by Tomi Lindblom (2004) / Finland

Gary Moore Interview – Re-released

Gary Moore VH 1 Interview 1994

 

 

 

Links, Fan Pages , Etc…

last.fm

Gary Moore | Facebook

The Lord Of The Strings – World Wide Gary Moore Fanclub

Gary Moore - Profile & Discography for Blues-Rock Guitarist Gary Moore

Gary Moore | Vintage Guitar® magazine

Gary Moore - Listen to Free Music by Gary Moore on Pandora …

iTunes – Music - Gary Moore - Apple

Gary Moore music – Listen Free on Jango || Pictures, Videos …

Gary Moore - Artist Details – Eagle Rock

GARY MOORE music discography with reviews and MP3

nolifetilmetal.com

gary-moore.net

 

 

 

 

Obituaries

Gary Moore - Telegraph – Telegraph.co.uk 

Gary Moore Obituary – London, England – Tributes.com

Gary Moore, former Thin Lizzy guitarist, dies aged 58 | Music …

Thin Lizzy Guitarist Gary Moore Dead at 58

Find A Grave

 

 

 

 

2002 ZZ TOP & GARY MOORE LIVE

 

 

 

 

Robert William Gary Moore

April 4th, 1952 – February 6th, 2011

Remembered today and everyday……

 

 

 

 

 

 

 

 

 

 

 

 

 

 

About these ads

 Happy Birthday Muddy

 

 

 

 

 

 

 

 

 

 

Early Life

 

” Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug’s Corner in neighboring Issaquena County in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians’ union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid-1940s, lists him as being born April 4, 1913. Muddy’s gravestone gives his birth year as 1915.” 

 

 

 

 

 

 

 

 

” Muddy’s grandmother, Della Grant, raised him after his mother died shortly following his birth. Della gave the boy the nickname “Muddy” at an early age because he loved to play in the muddy water of nearby Deer Creek. Muddy later changed it to “Muddy Water” and finally “Muddy Waters”.

The shack where Muddy Waters lived in his youth on Stovall Plantation is now located at the Delta Blues Museum in Clarksdale, Mississippi. He started out on harmonica, but by age seventeen he was playing the guitar at parties, emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson.[7][page needed]“

 

 

 

 

 

 

 

 

” On November 20, 1932, Muddy married Mabel Berry; Robert Nighthawk played guitar at the wedding, and the party reportedly got so wild the floor fell in. Mabel left Muddy three years later when Muddy’s first child was born; the child’s mother was Leola Spain, sixteen years old (Leola later used her maiden name Brown), “married to a man named Steven” and “going with a guy named Tucker”. Leola was the only one of his girlfriends with whom Muddy would stay in touch throughout his life; they never married. By the time he finally cut out for Chicago in 1943, there was another Mrs. Morganfield left behind, a girl called Sallie Ann.

 

 

 

 

 

 

 

 

Muddy Waters Official Website

 

“Growing to manhood there, in the very heart of the region that had spawned this magnificent music, Waters was drawn early to its stark, telling, expressive power. He had been working as a farm laborer for several years when at thirteen he took up the harmonica, the instrument on which many blues performers first master the music’s rudiments. Four years later he made the switch to guitar. “You see, I was digging Son House and Robert Johnson.”

 

 

 

 

 

 

 

 

” The two were the undisputed masters of the region’s characteristic “bottleneck” style of guitar accompaniment. With this technique the Delta bluesman could utilize the guitar as a perfect extension of his voice, the sliding bottleneck matching the dips, slurs, sliding notes and all the tonal ambiguity of the voice as it is used in singing the blues.Within a year, Waters recalled, he had mastered the bottleneck style and the jagged, pulsating rhythms of Delta guitar. He had learned to sing powerfully and expressively in the tightly constricted, pain-filled manner that characterized the best Delta singers.”

 

 

 

 

 

 

 

 

” By the time a team of Library of Congress field collectors headed by Alan Lomax visited and recorded Waters for the Library’s folksong archives in 1941 (they were looking for Robert Johnson at the time, unaware of his death three years earlier), returning to record him further the following year, he had had several years’ local performing experience behind him.Providing the musical impetus for dancers at rough-and-tumble back country dances, in juke joints, and at picnics, houseparties and other rural entertainments had sharpened the young bluesman’s vocal and instrumental abilities to a keen edge. The recordings show the strikingly distinctive power of the young Waters, both as singer and master of Delta bottleneck guitar.”

 

 

 

 

 

 

 

 

Britannica

” In 1943 Waters—like millions of other African Americans in the South who moved to cities in the North and West during the Great Migration from 1916 to 1970—relocated to Chicago. There he began playing clubs and bars on the city’s South and West sides while earning a living working in a paper mill and later driving a truck. In 1944 he bought his first electric guitar, which cut more easily through the noise of crowded bars. He soon broke with country blues by playing electric guitar in a shimmering slide style. In 1946 pianist Sunnyland Slim, another Delta native, helped Waters land a contract with Aristocrat Records, for which he made several unremarkable recordings. By 1948 Aristocrat had become Chess Records (taking its name from Leonard and Phil Chess, the Polish immigrant brothers who owned and operated it), and Waters was recording a string of hits for it that began with “I Feel Like Going Home” and “I Can’t Be Satisfied.” His early, aggressive, electrically amplified band—including pianist Otis Spann, guitarist Jimmie Rodgers, and harmonica virtuosoLittle Walter—created closely integrated support for his passionate singing, which featured dramatic shouts, swoops, and falsetto moans. His repertoire, much of which he composed, included lyrics that were mournful (“Blow Wind Blow,” “Trouble No More”), boastful (“Got My Mojo Working,” “I’m Your Hoochie Coochie Man”), and frankly sensual (the unusual 15-bar blues “Rock Me”). In the process Waters became the foremost exponent of modern Chicago blues.”

 

 

 

 

 

 

 

 

” Tours of clubs in the South and Midwest in the 1940s and ’50s gave way after 1958 to concert tours of the United States and Europe, including frequent dates at jazz, folk, and blues festivals. Over the years, some of Chicago’s premier blues musicians did stints in Waters’s band, including harmonica players James Cotton and Junior Wells, as well as guitarist Buddy Guy. Toward the end of his career, Waters concentrated on singing and played guitar only occasionally. A major influence on a variety of rock musicians—most notably the Rolling Stones (who took their name from his song “Rollin’ Stone” and made a pilgrimage to Chess to record)—Waters was inducted into the Rock and Roll Hall of Fame in 1987.”

 

 

 

 

 

 

 

 

Allmusic

 

” By the end of the ’50s, while Waters was still making fine music, his career was going into a slump. The rise of rock & roll had taken the spotlight away from more traditional blues acts in favor of younger and rowdier acts (ironically, Waters had headlined some of Alan Freed‘s early “Moondog” package shows), and Waters‘ first tour of England in 1958 was poorly received by many U.K. blues fans, who were expecting an acoustic set and were startled by the ferocity of Waters‘ electric guitar. Waters began playing more acoustic music informed by his Mississippi Delta heritage in the years that followed, even issuing an album titled Muddy Waters: Folk Singer in 1964. However, the jolly irony was that British blues fans would soon rekindle interest in Waters and electric Chicago blues; as the rise of the British Invasion made the world aware of the U.K. rock scene, the nascent British blues scene soon followed, and a number of Waters‘ U.K. acolytes became international stars, such as Eric Clapton,John MayallAlexis Korner, and a modestly successful London act who named themselves after Muddy‘s 1950 hit “Rollin’ Stone.”

 

 

 

 

 

 

 

 

” While Waters was still leading a fine band that delivered live (and included the likes of Pinetop Perkins on piano and James Cotton on harmonica), Chess Records was moving more toward the rock, soul, and R&B marketplace, and seemed eager to market him to white rock fans, a notion that reached its nadir in 1968 with Electric Mud, in which Waters was paired up with a psychedelic rock band (featuring guitarists Pete Cosey and Phil Upchurch) for rambling and aimless jams on Waters‘ blues classics. 1969′s Fathers and Sons was a more inspired variation on this theme, withWaters playing alongside reverential white blues rockers such as Mike Bloomfield and Paul Butterfield; 1971′s The London Muddy Waters Sessions was less impressive, featuring fine guitar work from Rory Gallagher but uninspired contributions from Steve WinwoodRick Grech, and Georgie Fame.”

 

 

 

 

 

” Curiously, while Chess Records helped Waters make some of the finest blues records of the ’50s and ‘60s, it was the label’s demise that led to his creative rebirth. In 1969, the Chess Brothers sold the label to General Recorded Tape, and the label went through a long, slow commercial decline, finally folding in 1975. (Waters would become one of several Chess artists who sued the label for unpaid royalties in its later years.) Johnny Winter, a longtime Waters fan, heard the blues legend was without a record deal, and was instrumental in getting Waters signed to Blue Sky Records, a CBS-distributed label that had become his recording home.”

 

 

 

 

 

 

 

 

 ” Winter produced the sessions for Waters‘ first Blue Sky release, and sat in with a band comprised of members of Waters‘ road band (including Bob Margolin and Willie “Big Eyes” Smith) along with James Cotton on harp and Pinetop Perkins on piano. 1977′s Hard Again was a triumph, sounding as raw and forceful as Waters‘ classic Chess sides, with a couple extra decades of experience informing his performances, and it was rightly hailed as one of the finest albums Waters ever made while sparking new interest in his music. (It also earned him a Grammy award for Best Traditional or Ethnic Folk Recording.) “

 

 

 

 

 

 

 

 

 

Rock Hall Of Fame

 

” Waters also capitalized on the folk-music craze of the late Fifties and early Sixties with a series of albums that found him assaying acoustic blues on such albums as Muddy Waters Sings Big Bill (a tribute to rural bluesman Big Bill Broonzy, released in 1960), Muddy Waters, Folk Singer (1964) and The Real Folk Blues (1966). Less successful were attempts to contemporize his sound with such ill-advised efforts as “Muddy Waters Twist” (a 1962 single) and Electric Mud (an album of psychedelic blues from 1968). More satisfying by far were a couple of albums - Fathers and Sons (1969) and The London Muddy Waters Sessions (1972) – that found Waters accompanied by such vanguard rock musicians as Mike Bloomfield and Eric Clapton. His thirty-year tenure with Chess Records ended in 1975 with the release of The Muddy Waters Woodstock Album. From here, he moved to the Blue Sky label (a Columbia subsidiary). “

 

 

 

 

 

 

 

 

” Waters’ audience grew exponentially following his electrifying performance in The Last Waltz, a film documentary (produced by Martin Scorsese) of The Band’s farewell concert. Staged at San Francisco’s Winterland ballroom, the Thanksgiving 1976 event was a star-studded affair. Water’s scalding rendition of “Mannish Boy” – on which he was accompanied by The Band and Paul Butterfield on harmonica – was an unforgettable highlight. Subsequent to that, he kept the momentum going with a series of uncompromising albums for Blue Sky that were produced by longtime fan Johnny Winter. These included Hard Again (1977), I’m Ready (1978), Muddy Mississippi Waters Live (1979) and King Bee (1981). All were critical and popular successes. “

 

 

 

 

 

” In addition to his musical legacy, Waters helped cultivate a great respect for the blues as one of its most commanding and articulate figureheads. Drummer Levon Helm of The Band, who worked with him on The Muddy Waters Woodstock Album and at The Last Waltz, had this to say about him in a Goldmine magazine interview: “Muddy taught us to take things in context, to be respectful, and to be serious about our music, as he was. He showed us music is a sacred thing.” 

 

 

 

 

 

 

” Waters, who remained active till the end, died of a heart attack in 1983. He was 68 years old. In the years since his death, the one-room cedar shack in which he lived on the Stovall Plantation has been preserved as a memorial to Waters’ humble origins”

 

 

 

 

Discography

 

Muddy Waters At Newport 1960

‎ ◄ (16 versions)

Chess 1960

Muddy Waters Sings “Big Bill”

‎ ◄ (7 versions)

Chess 1960

Folk Singer

‎ ◄ (16 versions)

Pye International 1964

Down On Stovall’s Plantation

‎ ◄ (4 versions)

Testament Records 1966

Muddy, Brass & The Blues

‎ ◄ (6 versions)

Chess 1966

More Real Folk Blues

‎ ◄ (7 versions)

Chess 1967

Bo DiddleyLittle WalterMuddy Waters - Super Blues ‎ ◄ (10 versions)

Checker 1967

Howlin’ WolfMuddy Waters & Bo Diddley - The Super Super Blues Band ‎ ◄ (8 versions)

CheckerChess 1967

Electric Mud

‎ ◄ (16 versions)

Cadet Concept Records 1968

After The Rain

‎ ◄ (6 versions)

Cadet Concept Records 1969

The Real Folk Blues

‎ ◄ (7 versions)

Chess 1969

Muddy Waters / Otis Spann / Michael Bloomfield* / Paul Butterfield / Donald “Duck” Dunn / Sam Lay - Fathers And Sons‎ ◄ (18 versions)

Chess 1969

Bo DiddleyLittle WalterMuddy Waters - Super Blues ‎ (LP, Album)

Bellaphon 1969

“Live” (At Mr. Kelly’s)

‎ ◄ (4 versions)

Chess 1971

“Live” (At Mr. Kelly’s)

‎ (LP)

Chess 1971

Back In The Early Days Volumes 1 And 2

‎ (2xLP)

Syndicate Chapter 1971

Rare Live Recordings Vol. 2

‎ (LP)

Python 1972

The London Muddy Waters Sessions

‎ ◄ (11 versions)

Chess 1973

Mud In Your Ear

‎ ◄ (2 versions)

Muse Records 1973

Can’t Get No Grindin’

‎ ◄ (6 versions)

Chess 1973

Muddy Waters & Howlin’ Wolf - London Revisited ‎ ◄ (2 versions)

Chess 1974

“Unk” In Funk

‎ ◄ (5 versions)

Chess 1974

The Muddy Waters Woodstock Album

‎ ◄ (6 versions)

Chess 1975

Hard Again

‎ ◄ (16 versions)

Blue Sky 1977

I’m Ready

‎ ◄ (13 versions)

Blue Sky 1978

Muddy “Mississippi” Waters Live

‎ ◄ (16 versions)

Blue Sky 1979

Mississippi

‎ (LP, Album)

Cleo 1980

King Bee

‎ ◄ (15 versions)

Blue Sky 1981

Rolling Stone

‎ ◄ (2 versions)

Chess 1982

Hoochie Coochie Man

‎ ◄ (2 versions)

Blue Sky 1983

B.B. King & Big Mama Thornton & Muddy Waters - Live At Newport ‎ ◄ (4 versions)

Blue Moon 1984

I Can’t Be Satisfied

‎ ◄ (2 versions)

Showcase 1985

Live In Paris, 1968

‎ (LP)

France’s Concert 1988

Live In Antibes, 1974

‎ (LP, Album)

France’s Concert 1988

Live

‎ (CD)

Roots (6) 1990

Live

‎ (LP)

Roots (6) 1990

Goin’ Home (Live In Paris 1970)

‎ ◄ (2 versions)

Last Call Records 1992

Chicago Blues

‎ ◄ (4 versions)

Orbis 1994

Otis Spann With Muddy Waters & His Band* - Live The Life ‎ (CD, Album)

Testament Records 1997

Live In Chicago, 1979

‎ (CD, Album)

Altaya 1997

Champion Jack Dupree / Muddy Waters - Me And My Mule ‎ (CD, Album)

TKO Collectors 1999

Country Blues

‎ (LP)

Past Perfect Silver Line 2000

The Lost Tapes

‎ (LP, 180)

Blind Pig Records 2008

Live / Fillmore Auditorium – San Francisco 11/04-06/1966

‎ ◄ (2 versions)

Chess 2009

Stepping Stone

‎ (CD, Mud + 2xCD, Rol + 3xCD, I’m + 4xCD, The + 5xDV)

Proper Records Ltd. 2009

Blow Blues Blow

‎ (CD, Album, Dig)

Music Avenue 2010

The Rough Guide To Blues Legends: Muddy Waters: Country Blues

‎ (LP, Ltd, RM, 180)

World Music Network 2011

Muddy Waters & Rolling Stones, The - Checkerboard Lounge, Live Chicago 1981 ‎ ◄ (5 versions)

Eagle Vision 2012

Down On Stovall’s Plantation

‎ (LP)

Doxy 2013

Hard Again

‎ (LP, Album)

Epic Unknown

 

 

 

 

 

 

 

 

Concert Videos

I Hear The Blues-Memphis Slim, Muddy Waters, Sonny Boy Williamson, Lonnie Johnson-Granada TV

Blues and Gospel Train – 1964 – Muddy Waters, Rosetta Tharpe, Sonny & Brownie, Cousin Joe Pleasants

Muddy Waters – Live At The Chicago Fest 1981

Messin’ With The Blues [live '74]

Johnny Winter & Muddy Waters Soundstage 1974

Muddy Waters Blues Summit in Chicago

Muddy.Waters.Live.68.-.78

 

 

 

Interviews

Muddy Waters Interview

 

 

Links , Fan Pages Etc…

Muddy Waters - Listen to Free Music by Muddy Waters on …

Muddy Waters Biography – Facts, Birthday, Life Story – …

iTunes – Music - Muddy Waters - Apple

Muddy Waters | Bio, Pictures, Videos | Rolling Stone

Muddy Waters - Profile of Chicago Blues Legend Muddy Waters

Free Music Online – Internet Radio – Jango

Muddy Waters - New World Encyclopedia

Trail of the Hellhound: Muddy Waters

Muddy Waters - wolfgangsvault.com

Muddy Waters, a Mississippi musician – Mississippi writers …

Muddy Waters | Facebook

Muddy Waters Historical Exhibit & Blues Tribute Website

Muddy Waters - NNDB: Tracking the entire world

Muddy Waters : NPR

Muddy Waters - Always Victorian

Muddy Waters - All About Jazz

LivinBlues- Muddy Waters

Muddy Waters Biography | Bluescentric – Blues t-shirts | delta …

Muddy Waters | Legacy Recordings

 

 

 

Obituaries

Muddy Waters, Blues Performer, Dies – The New York Times …

Meet McKinley Morganfield - Hattiesburg American | Hattiesburg …

Legends & Legacies | Notable Obituaries and Deaths in the News …

Rhythm and Blues 60s Oldies Man: News Obituaries

Muddy Waters Changed Music Forever With His Trip Up the Blues …

Blues Foundation Honors Muddy Waters With Blues Trail Marker …

 

 

 

 

 

 

 

 

Rest In Peace Muddy Waters 

 

 

 

 

 

 

 

 

 

—-

6-Year-Old Boy Is A SEAL For A Day At Missouri Training Center

 

 

 

 

 

” Mason Rudder peppered bullets from a fully automatic M4 rifle into a car, charged through a field while firing an AR-15, and helped build and set off a wall bomb that blew the door off a building.

  Though Mason is no war hero, he got to feel like one Sunday. He is 6 years old and dreams of joining the Navy SEALs.”

 

 

MASON RUDDER SEAL

 

 

” Mason’s parents, George and Suzanne Rudder, former St. Louis County residents who now live near Kansas City, surprised Mason for his birthday by driving across the state to a tactical training center near Farmington, Mo., to shoot and train with a former member of the Navy SEALs.

“ He didn’t know until today,” said Suzanne Rudder, 36. “I think he was just stunned when we got here.”

  Mason was born with a genetic disorder (Escobar syndrome) that causes limited movement and a decreased range of motion, his parents say. Mason is about 3½ feet tall and weighs just 32 pounds. Mason’s sister, Haley, 7, also has the disorder; their brother, Collin, 9, does not.”

 

Read on

 

 

 

 

 

 

 

 

 

 

 

 

 Happy Birthday Eric

 

 

 

 

Early Life

 

” Eric Patrick Clapton was born in Ripley, Surrey, England, the son of 16-year-old Patricia Molly Clapton (b. 7 January 1929 d. March 1999) and Edward Walter Fryer (21 March1920 – 15 May 1985), a 25-year-old soldier from Montreal, Quebec.[10] Fryer shipped off to war prior to Clapton’s birth and then returned to Canada. Clapton grew up with his grandmother, Rose, and her second husband, Jack Clapp, who was stepfather to Patricia Clapton and her brother Adrian, believing they were his parents and that his mother was actually his older sister. The similarity in surnames gave rise to the erroneous belief that Clapton’s real surname is Clapp (Reginald Cecil Clapton was the name of Rose’s first husband, Eric Clapton’s maternal grandfather).[11] Years later, his mother married another Canadian soldier and moved to Germany,[12] leaving young Eric with his grandparents in Surrey.[13]

Clapton received an acoustic Hoyer guitar, made in Germany, for his thirteenth birthday, but the inexpensive steel-stringed instrument was difficult to play and he briefly lost interest.[13] Two years later Clapton picked it up again and started playing consistently.[13] Clapton was influenced by the blues from an early age, and practised long hours to learn the chords of blues music by playing along to the records.[14] He preserved his practice sessions using his portable Grundig reel-to-reel tape recorder, listening to them over and over until he felt he’d got it right.[14][15]

After leaving Hollyfield School, in Surbiton, in 1961, Clapton studied at the Kingston College of Art but was dismissed at the end of the academic year because his focus remained on music rather than art. His guitar playing was so advanced that by the age of 16 he was getting noticed.[15] Around this time Clapton began busking aroundKingstonRichmond, and the West End.[16] In 1962, Clapton started performing as a duo with fellow blues enthusiast David Brock in pubs around Surrey.[15] When he was seventeen years old Clapton joined his first band, an early British R&B group, “The Roosters”, whose other guitarist was Tom McGuinness. He stayed with this band from January through August 1963.[17] In October of that year, Clapton did a seven-gig stint with Casey Jones & The Engineers.[17] “

 

 

 

 

 

 

Further On Up The Road

” By the time Eric Clapton launched his solo career with the release of his self-titled debut album in mid-1970, he was long established as one of the world’s major rock stars due to his group affiliations – the YardbirdsJohn Mayall’s BluesbreakersCream, and Blind Faith – which had demonstrated his claim to being the best rock guitarist of his generation. That it took Clapton so long to go out on his own, however, was evidence of a degree of reticence unusual for one of his stature. And his debut album, though it spawned the Top 40 hit “After Midnight,” was typical of his self-effacing approach: it was, in effect, an album by the group he had lately been featured in, Delaney & Bonnie & Friends.

Not surprisingly, before his solo debut had even been released, Claptonhad retreated from his solo stance, assembling from the D&B&F ranks the personnel for a group, Derek & the Dominos, with whom he played for most of 1970 and recorded the landmark album Layla and Other Assorted Love SongsClapton was largely inactive in 1971 and 1972, due to heroin addiction, but he performed a comeback concert at the Rainbow Theatre in London on January 13, 1973, resulting in the album Eric Clapton’s Rainbow Concert (September 1973). But Claptondid not launch a sustained solo career until July 1974, when he released461 Ocean Boulevard, which topped the charts and spawned the number one single “I Shot the Sheriff.” “

 

 

 

 

 

 

 

Rock Hall Of Fame Bio

 

” A January 1973 comeback concert at London’s Rainbow Theatre re-introduced him to public performing, but his solo career really commenced in earnest a year later with 461 Ocean Boulevard. Recorded in Miami, it was influenced by the mellower likes of J.J. Cale and Bob Marley. Striking a chord with the public, 461 Ocean Boulevard topped the album charts in 1974. Meanwhile, Clapton’s cover of “I Shot the Sheriff,” originally by Bob Marley and the Wailers, helped introduced reggae to a mass audience. Working with a steady band that included guitarist George Terry, Clapton pursued a mellow, song-oriented course that accentuated his husky, laid-back vocals. His Seventies output, including such albums as There’s One in Every Crowd (1975) and No Reason to Cry (1976) has been largely underrated and is ripe for rediscovery. Clapton again struck commercial paydirt in 1977 with Slowhand, a strong set that included Clapton’s definitive version of J.J. Cale’s “Cocaine” and the #3 hit “Lay Down Sally.”

Clapton remained a prolific artist throughout the Eighties, releasing a live double album that reached #2 (Just One Night), cutting two albums (Behind the Sun and August) with Phil Collins as producer, and launching his own label, Duck Records, in 1983, with one of his stronger studio efforts, Money and Cigarettes. In January 1987, he undertook the first of what would become an annual series of multi-night stands at London’s Royal Albert Hall. In 1992, his career received a major boost from his appearance on MTV’s Unplugged series. Returning to his roots on the heels of that acoustic folk-blues set, Clapton next cut a long-promised blues album, From the Cradle (1994). Throughout the Nineties, he continued to amass hits–no mean feat, given the shifting musical climate–including “Tears in Heaven,” a memorable elegy for his late son Conor; “Change the World,” a beatbox-driven collaboration with R&B artist/producer Babyface that won a Grammy for Record of the Year; and “My Father’s Eyes,” a ballad from his 1998 album Pilgrim.”

 

 

 

 

 

 

last.fm

 

“ Tears in Heaven” was written after his son’s tragic death. It was co-written with Russ Titelman and acknowledged with a Grammy in 1993.


Most recently, Eric Clapton has organized a benefit concert in honor of Hubert Sumlin, the great bluesman, to take place at the Apollo Theater in New York on February 24, 2012. He will be joined by Jeff Beck, Keb Mo, Levon Helm, and Derek Trucks among others. Clapton is known to sponsor an array of charitable events and concerts. He has also established a rehabilitation clinic in Monserrat to help those with substance abuse problems.

‘Clapton’ was released on September 27, 2010 by Reprise.

A live album titled Play The Blues Live At Lincoln Center performed with Wynton Marsellis was released on September 13, 2011 by Reprise.

Early 2013 saw the release of ‘Old Sock’, an album of 10 cover songs and two new originals, which was met with mixed reviews, some saying that it was lazy and unnecessary (“little commitment to the music here and even less enthusiasm”) whilst others appreciated the mastery he still exhibits over his craft (“winding down a legendary career with his typical class, reverence to the past and master’s touch”).

Eric Clapton is highly regarded as a premier musician, and continues to remain a force in music today.”

 

 

 

 

ERIC CLAPTON DISCOGRAPHY

 

 Concert Videos

Happy Birthday Eric . Thank You

 

Further Reading

 

Eric Clapton- NPR

MTV

Eric Clapton - IMDb

Eric Clapton on Yahoo! Music

Where’s Eric | The Eric Clapton Fan Club Magazine

Eric-Clapton - The Unofficial Website

Eric Clapton |  Rolling Stone

Eric Clapton -  on Pandora 

Rock On The Net: Eric Clapton

 

 

 

 

 

 

 

 

Rio Revels In ‘Greatest Show On Earth’

” More than a million Rio Carnival revellers laid aside bitterness at Brazilian leaders to join wild festivities Saturday in what has been dubbed “the greatest show on Earth.”

” Many participants said they had resolved to forget — at least until festivities end Tuesday — about lingering protests over corruption and the cost of hosting the World Cup.”

” The Rio tourist board said 1.3 million people joined the fray to cavort as the Marvelous City’s oldest bloco or street party group Cordao da Bola Preta danced to a raucous samba beat. A total of four million are accepted during the entire five-day event.”

” But there was a reminder of some of Brazil’s social problems as festivities in the northern city of Salvador were tainted by the fatal shooting of a young man.”

” Rio’s flamboyantly dressed residents were adamant that, for now, they had spent enough time demonstrating — and wanted to let loose instead.”

“Carnival is carnival. Celebrate! Protests can wait — at least for now,” shouted Christophe Land, one of 50 men decked out in black “Spiderman” outfits.”

Read more 

Dad In A Box

Published on Sep 21, 2013

” #1 Perk of returning from Afghanistan around your 3 year old’s birthday.”

     On the off chance that wasn’t enough to tug your heartstrings here’s one more in a similar vein from  WelcomeHomeBlog.com

Uploaded on Jun 12, 2011

” http://WelcomeHomeBlog.com - Military reunion videos, pictures & stories!

“Here is a video of me surprising our kids after my husband came back from his deployment. Things seemed to keep going wrong… It was supposed to be at a restaurant, but he came back a day later then planned. Then, he was supposed to be closed in the box, but he was too big! Then, not enough wrapping paper, even though there was 3 rolls… But it all worked out in the end thanks to some awesome friends!!! Enjoy… (They sure did!)” “

From Wimp.com Comes The Cutest “Box Of Chocolates” EVER

 

 

 

 

 

 

All together now … Awww 

 

 

 

 

 

 

 

 

 

More Truth From John Hawkins At RightWing News

 

Here are a few samples

 

” 1) The Founding Fathers were generally religious, gun-toting small government fanatics who were so far to the Right that they’d make Ann Coulter look like Jimmy Carter.

  3) Conservatives are much more compassionate than liberals and all you have to do to prove it is look at all the studies showing that conservatives give more of their money to charity than liberals do.

  4) When the Founding Fathers were actually around, there were official state religions and the Bible was used as a textbook in schools. The so-called “wall of separation between church and state” has absolutely nothing to do with the Constitution and everything to do with liberal hostility to Christianity.”

 

 

Read the rest at RightWingNews
See also John’s post about … 20 Ways America Has Begun to Reap What It Has Sown

 

 

 

 

 

 

 

YG Network Launches New Web Ad, “Aloha!”

 

 

” YG Network — a non-profit 501(c)(4) dedicated to broadening the Young Guns movement by promoting next-generation conservative policies —today released “Aloha!,” a web video highlighting the ways in which Obamacare is harming American families, as well as Obama’s out-of-touch style of leadership. The ad comes as Obama continues his lengthy Hawaiian vacation, during which Fox News reports that “there’s no escaping the buffeting winds of troubled state health insurance exchanges,” including the “botched roll-out of the ObamaCare state exchange in Hawaii.” 

  “Aloha!” is posted at www.ObamacareWipeOut.com, and YG Network is delivering its message to Americans in Hawaii and the Washington, D.C. area with a significant five-figure online campaign, which includes YouTube pre-roll, promoted Tweets and Facebook posts, and display ads on highly-trafficked websites such as the Honolulu Star-Advertiser.”

US Post Office Accidentally Delivers President’s Gifts To Wrong House

 

 

” Well, here is a shining advertisement for the US Post Office. A story out of Chicago finds that the Post Office accidentally delivered gifts sent by the President of the United States to the wrong house.

  It might not be a complete failure by the Post Office, but near enough. Apparently a woman from Wadsworth, Illinois–a city in Chicago’s northern suburbs–got a late delivery on New Year’s Eve of some Christmas gifts her brother-in-law sent.”

 

 

 

 

 

” The box that arrived was from a toilet paper carton and inside was the practically destroyed package her brother sent, all in disarray, some of the gifts broken open.”

 

 

 

 

 

 

 

 

Dubai Fireworks 2014: The Record-Breaking Display By The Numbers

 

 

 

 

 

 

” The glitzy emirate of Dubai is no stranger to the Guinness World Records committee. Over the past decade, it has snapped up honors for the world’s tallest building (Burj Khalifa), tallest hotel (JW Marriott Marquis) and largest manmade island (Palm Jumeirah), among other superlatives. Now, it can boast another title as home to the world’s biggest pyrotechnics display, thanks to an extravagant citywide showcase early Wednesday morning that shattered the previous record by more than 400,000 fireworks.

  Alistair Richards, global president of Guinness World Records, said the magnitude of the New Year’s project was “truly impressive and will ensure all eyes are on Dubai” — and on Dubai they were. More than a half-million people tuned in to watch the show online, while millions more saw it on the television news.”

 

 

 

 

 

 

” The sheer scale of Dubai’s fireworks display is staggering and perhaps best appreciated when broken down by the numbers:

500,000: The number of fireworks that exploded over Dubai in the first few minutes of 2014.

77,282: The previous record for number of fireworks in a single display, set by Kuwait in 2012.

60: How many seconds it took Dubai to shatter Kuwait’s fireworks record.

6: The number of minutes fireworks lit up the sky over Dubai.

2,717: The height in feet of the Burj Khalifa, which played an integral role in the fireworks display.

3,280: The height in feet of the highest fireworks launched in Dubai in 2014.

400: The number of locations on the Dubai shoreline that staged firework displays.

62: The length in miles of waterfront lit up for the record-breaking spectacular.”

 

 

 

 

 

 

” 100: The number of computers used to synchronize the pyrotechnics and choreograph them with the musical soundtrack.

200: The number of expert technicians from U.S.-based Fireworks by Grucci who worked on the Dubai display.

5,000: How many man-hours it took the technicians to ensure the fireworks’ timing was accurate down to the millisecond.

10: How many months it took to plan the New Year’s extravaganza.

6,000,000: How much it cost in U.S. dollars to set a new world record for pyrotechnics.”

 

 

 

 

 

Enjoy the show .

 

 

 

 

Photo Of The Day: South Carolina Gov. Nikki Haley Shows Off Her Christmas Present

 

 

 

 

“Our family had a wonderful Christmas together! I must have been good Santa gave me a Beretta PX4 Storm.”

 

 

 

 

 

 

 

 

Christmas Celebrations Around The Globe In 21 Different Parts Of The World – You Will Love Them!

 

 

A decked out Christmas house in Melksham, England

 

“A decked out Christmas house in Melksham, England”

 

 

 

Sand sculpture in India.

 

” Sand sculpture in India.”

 

 

 

Christmas Night Mass at the Vatican.

 

” Christmas Night Mass at the Vatican.”

 

 

 

See them all …

 

 

 

 

 

 

 

 

Topless Feminist Interrupts Christmas Mass In Pro-Abortion Protest [NSFW]

 

 

 

 

 

 

 

” The “FEMEN” Twitter account celebrated the interruption of Christmas mass in Cologne, Germany, by a topless feminist extremist, who wrote “I AM GOD” on her body and climbed atop the altar before shocked worshipers.”

 

Soopermexican says it all :

 

” Ok then. I doubt these kind of offensive displays actually advance their cause, but they definitely annoy and anger believers.”

 

 

 

 

 

 

 

 

 

From Jerry Miculek

 

 

 

Published on Dec 16, 2013

” Jerry shows us the proper way to decorate for Christmas using his new ‘toy’ the .50 AE Desert Eagle!
Optic on the Desert Eagle is a Vortex Razor red dot sight.
Ammo is Hornady XTP 50 AE 300gr
http://www.Miculek.com
LIKE JERRY ON FACEBOOK!: http://on.fb.me/16xFGNd
LIKE LENA ON FACEBOOK!: http://on.fb.me/1dOzf7I
Official Miculek T-shirts: http://miculek.com/t-shirts-and-cloth…
Official products and gun accessories:http://miculek.com/catalogue/ “

 

 

 

 

 

 

 

 

WTF Wednesday Christmas Edition (38 Photos)

 

 

PUBLISHED by catsmob.com

 

 

Prefer tree pictures ? How about this ?

 

 

 

4

 

 

 

There are 36 more at Guns.com

 

 

 

 

 

 

 

 

Shipping Overload Leaves Many Christmas Giftless

 


” An unexpected surge of online orders in the past few weeks appears to have strained the limits of delivery and fulfillment infrastructure at retailers and parcel carriers. While instances of bad weather, Web glitches and late deliveries from manufacturers also played a part, the sheer volume may have been the problem, according to retail analysts.

  United Parcel Service Inc. determined late Tuesday that it wouldn’t be able to get some goods to customers in time for Christmas, as a spike in last-minute shopping demand overwhelmed its system.

” The volume of air packages in the UPS system did exceed capacity as demand was much greater than our forecast,” spokeswoman Susan Rosenberg said in response to questions. UPS delivers around 45% of U.S. packages and saw more shipments enter its air network on Monday than the 7.75 million it expected.”

 

 

 

 

 

 

 

Holdman Christmas

 

 

Uploaded on Dec 1, 2009

” Visit us at http://www.holdmanlighting.com

  The Amazing Grace Christmas House was located in Pleasant Grove, Utah and designed and programmed by Richard Holdman. A small little charity box placed in front of the display has raised more than $40,000 for the Utah Make-a-Wish Foundation. Thank you everybody for your support.

  The display started in 2006 and traffic became to much of an issue and is no longer running. Richard Holdman has gone on to create Holdman Lighting which now installs many animated lighting displays across the United States and around the world including Argentina, Russia, Korea, and Canada.

 Music is “Yule – Amazing Grace” and can be purchased right here: 

Amazon: http://bit.ly/ClubbingChristmasAM
iTunes: http://bit.ly/ClubbingChristmasIT
Spotify: http://bit.ly/ClubbingChristmasSP “

 

 

 

 

 

 

 

 

Do Not Let Us Quarrel On Christmas Day

 

Christmas Truce

 

 

 

” Just a short excerpt on the so-called “Christmas Truce” that took place between some German and British units on the Western Front in 1914. Apologies for audio being out of sync, source vid was like that.”

 

 

 

 

 

 

 

 

VIDEO: Xavier Hawkins, “Southeast Santa,” Shot With Pellet Gun At Toy Giveaway

 

 

Santa Shot

Click Picture For Video

 

 

” A man in a Santa Claus suit who has been identified as Xavier Hawkins was shot in the back with a pellet gun Tuesday morning during a toy giveaway in a part of Southeast Washington plagued by crime.

  The video is disturbing. The man dressed as Santa has led the annual Barry Farm gift giveaway for the last seven years, and according to an ABC7 photographer who was interviewing the victim at the time of the shooting, the he was struck in his upper back then transported to a nearby hospital with the pellet still lodged in his shoulder.”

 

 

 

 

 

 

 

 

Tis The Season! Politician’s Share Their Seasonal Cheer With Cheesy Christmas Photos But Where’s The Obama’s Official Portrait?

 

House Minority Leader Nancy Pelosi sent a seasonal note to her supporters this year plus this photo that was taken at a family gathering to celebrate her 50th wedding anniversary

 

” Nothing says Christmas like sending a cheesy family photo to your relatives to show how much everyone has grown.

  Never one to miss a trick, the nation’s politicians have jumped on the bandwagon and are using social media to send their messages of seasonal cheer along with some frankly ridiculous photos of their growing broods.

  This Christmas has seen some impressively awful examples of these cheery seasonal photos with the Romneys and the Pelosis seemingly competing to see who can fit the most relatives into a photo.”

 

More here

 

 

 

 

 

 

Check Out This Bowhunter’s Christmas Lights

 

Check Out This Bowhunter’s Christmas Lights

Click Picture For Video

 

 

” Take a look at this bowhunter’s humorous Christmas lights: Pataskala, Ohio resident Matt Stuller’s Christmas lights display is popular among residents. In creating the display, Stuller said he wanted to combine his love of Christmas and hunting by adding a touch of humor. “It’s for the hunter that can appreciate a little humor,” said Stuller in a Coshocton Tribune article. “People drive by and come back and even take pictures.” “

 

Wide Open Spaces has the story .

 

 

 

 

 

 

 

 

 

What is Christmas without the Christmas feast? In this much requested column from The Sunday Telegraph, Mark profiles the big bird:

 

 

 

 

” As Burt Bacharach and Hal David’s classic “Turkey Lurkey Time” puts it:

  Let us make a wish and may all our wishes come true
A snowy blowy Christmas
A mistletoey Christmas
A Turkey Lurkey Christmas to you…

  But in the British Christmas there’s not much snow outside of Richard Curtis movies, and in these days of sexual harassment suits and orientational diversity the mistletoe is an imperilled tradition. So that leaves the turkey, which doesn’t so much lurk as squat over the Brit Christmas, its poultry penumbra casting a pall over the season. As Bacharach and David urge:

  Ev’rybody gather round the table
Eat all the turkey you are able…

  Easier said than done. From my side of the Atlantic, where Christmas is a one-day holiday called “Christmas Day”, the interminable two-week British Christmas seems to have been fixed by some EU health agency as the safest minimum time in which to polish off the big bootiful British butterball, as the vast carcass slowly shrivels from Christmas Day through Boxing Day, Christmas Bank Holiday Tuesday, Hogmanay, the first Hogmonday after Hogtuesday, until the last relatives leave and you can put your feet up and enjoy a nice decaf turkey latte.

Indeed, one cannot help noticing that the traditional Christmas delicacy seems to have fused with Britain’s vaguely parodic approach to the holiday season. “Turkey” means a large North American gallinaceous bird but also, in American showbusiness vernacular, a flop. Yet these days the latter usage is far more prevalent in Britain. The last time I spent the holiday season in the auld sod I motored down from London to the country on Christmas Eve and, instead of jingly versions of “I’ll Be Home For Christmas” and “Winter Wonderland”, every single radio station from Thames Valley Supergold to Clwyd FM had some sour disc-jockey counting down “Your All-Time Worst Christmas Turkeys”. “

 

 

 

 

 

 

 

Christmas In The Confederate White House

 

 

 

 

” The wife of Confederate President Jefferson Davis wrote this article describing how the Davis family spent the Christmas of 1864 in the Confederate White House. It was published in The New York World, December 13, 1896 and has since been reprinted often. This excerpt was obtained via the website “The American Civil War, 1861-1865.”  The article can be seen on the following website. “

 

 

 

 

 

 

 

 

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