Category: Music


Masters Of The Blues

 

 

 

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Larry Gatlin And Pal Billy Dean Have A Message For The Jihadis

 

 

“An American With A Remington”

 

 

 

 

A Live Performance Recorded By The BBC In 1974

 

 

 

 

I Wanna Ride , Ride , Ride

Burnt Child 

Hootin’ The Blues

Born With The Blues

Conversation With The River

Feel So Good

Drinkin’ Wine Spo-di-o

Rock Island Line

Walk On

Published on April 1, 2013

 

SONNY TERRY: 

” Tedell Saunders, was a blues singer and harmonica player, born in Greensboro, North Carolina, on October 24, 1911, and died in New York on March 12, 1986.
One eyed by accident at the age of 14 years , and blind as a result of a blow during a fight, several years later, Terry concentrated on the harmonica, partnering with Blind Gary Davis and Blind Boy Fuller, two blind musicians with whom he played in the streets of Durham and Raleigh, accompanied by a red-haired guide, who played the washboard and eventually became known as Bull City Red. Performed some recording for a local label with a sound genuinely to Style Piedmont. Was precisely Red who introduced Brownie McGhee, who He professed great admiration for Fuller. Terry moved to New York when John Hammond signed him to his concerts at Carnegie Hall (1938), sharing experiences with Leadbelly and at Fuller died in 1940, was definitely in town. From this moment, the music careers of Terry and McGhee are joined in the duo “Sonny & Brownie,” one of the most stable and successful bands in the history of the blues, performing a large number of recordings. When, in the 1960s, the rural blues began to lose favor with the black audience, Sonny & Brownie were welcomed by the public folk and European audiences.early 1980s, Terry and McGhee were separated after a period of growing disaffection. Terry continued to record (with Johnny Winter and Willie Dixon), participated in the film “The Color Purple” by Steven Spielberg and starred frequently. Style The style of Terry was personal and original, exuberant and joyful, mimicking the harmonic sound trains, dogs barking, howling screams … combined with his falsetto voice.Very representative of the mountain style, typical of the Appalachians.

 

 

BROWNIE MC GHEE: 

  Walter McGhee was a blues guitarist and singer, born in Knoxville, Tennessee, on November 30, 1915, and died in Oakland, California, on February 16 , 1996. McGhee, paralyzed in his right leg, he learned to play guitar from his father, who taught him the typical fingerpicking style characteristic of the Appalachians. He left his home with only ten years and devoted himself to playing in minstrel shows and medecine shows.During the 1930s, McGhee own formed a band with two guitars, harmonica and washboard. In one of his performances, Bull City Red introduced them to Blind Boy Fuller and Sonny Terry. McGhee always showed special admiration for Fuller, to the point that after his death, made ​​some recordings under the name of Blind Boy Fuller II, in a clear style Piedmont.1 When Fuller died in 1940, McGhee went to New York, with Sonny Terry. From this moment, the music careers of Terry and McGhee are joined in the duo “Sonny & Brownie,” one of the most stable and successful bands in the history of the blues, performing a large number of recordings. When, in the 1960s, the rural blues began to lose favor with the black audience, Sonny & Brownie were welcomed by the public folk and European audiences. early 1980s, Terry and McGhee were separated after a period of growing disaffection. McGhee moved to Los Angeles where he continued to play sporadically until his death. “

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Someday After A While” “Have You Ever Loved A Woman” “Tore Down”

Two Songs From The 1987 Grammy Broadcast

 

 

 

 

I Make Love & Let The Good Times Roll

American Folk Blues Festival 1963

 

 

 

    Featuring Willie Dixon , Lonnie Johnson , Matt “Guitar” Murphy , Memphis Slim , Otis Spann , Victoria Spivey , Bill Stepney , Muddy Waters , Sunny Boy Williamson and Big Joe Williams .

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Live Performance From 1970

 

 

 

 

 

Uploaded on Dec 31, 2011

” Howlin Wolf does Highway 49 live in 1970 “

 

 

 

 

 

Live At The Woodlands 1993

 

 

Uploaded on Jun 24, 2007

” This is one of my personal favs, featuring one of the great blues voices. Awesome guitar solos in this version as well! “

 

 

 

 

 

 

 

 

 

 

 

 

 

 

—-

From The Ballyshannon Boy

 

 

 

 

 

 

 

 

Uploaded on May 2, 2006

” Played in France in 1980. It’s the same concert as “off the handle” is played”

 

 

 

 

Jennifer Lopez, Iggy Azalea Show Butts, Twerk, Jiggle In Outrageous “Booty” Video

 

 

 

” Wow, just wow! Jennifer Lopez has reclaimed her crown as original (and best!) booty queen with the outrageously sexy video for her new single “Booty,” starring alongside Iggy Azalea.

  In a fast paced sequence of flashing butt shots, Lopez and Azalea stun as they get hot and steamy in sexy swimsuits, gyrating, twerking and jiggling their awesome backsides in time with the music.”

This is what passes for popular “culture” in today’s America … Be afraid , be very afraid .

Happy Birthday To The King Of The Blues

 

 

Introduction

” Riley B. King (born September 16, 1925), known by the stage name B.B. King, is an American blues musician, singer, songwriter, and guitarist.

  Rolling Stone magazine ranked him at No. 6 on its 2011 list of the 100 greatest guitarists of all time (previously ranked No. 3 in the 2003 edition of the same list), and he was ranked No. 17 in Gibson’s “Top 50 Guitarists of All Time”.According to Edward M. Komara, King “introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that would influence virtually every electric blues guitarist that followed.”King was inducted into the Rock and Roll Hall of Fame in 1987. He is considered one of the most influential blues musicians of all time, earning the nickname “The King of Blues”, and one of the “Three Kings of the Blues Guitar” (along with Albert King and Freddie King). King is also known for performing tirelessly throughout his musical career, appearing at 250-300 concerts per year until his seventies. In 1956 it was noted that he appeared at 342 shows. King continues to appear at 100 shows a year.

  Over the years, King has developed one of the world’s most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarists’ vocabulary. His economy and phrasing has been a model for thousands of players. King has mixed blues, jazz, swing, mainstream pop and jump into a unique sound. In King’s words, “When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.”

 

 

 

Early Career

” A singer and guitarist born into a sharecropping family on September 16, 1925, in Itta Bena, Mississippi, B.B. King—born Riley B. King—became one of the best-known blues performers, an important consolidator of blues styles, and a primary model for rock guitarists. Following his service in the U.S. Army, he began his career as a disc jockey in Memphis, Tennessee, where he was dubbed “the Beale Street Blues Boy.” That nickname was soon shortened to “B.B.”

  King made his first recording in 1949, and the next year began a 12-year-long association with Kent/RPM/Modern, for which he recorded a string of rhythm and blues hits, including “You Know I Love You,” “Woke Up This Morning” and “Three O’Clock Blues,” his first national hit. He also toured the nightclub circuit continuously, averaging more than 300 shows annually for over 30 years. His style of music earned him the title “King of the Blues.”

  Coincidentally, the year that King made his first recording was also the same year that he named his beloved guitar. King attended a dance in Twist, Arkansas, that had a barrel lit with kerosene in the middle of the dance floor, used to keep the crowd warm late at night. While there, a fight broke out and the barrel was knocked over, causing a fire to spread throughout the venue. Everyone evacuated, including King, but he rushed back inside to retrieve his prized guitar. Luckily, he managed to escape with his guitar as the building collapsed around him. King later learned that the fight erupted because of a woman who worked at the venue named Lucille. From then on, King named his guitar “Lucille” to remind himself never to do anything so foolish again.”

 

 

 

Beale Street Blues Boy

” After serving briefly in the army, King moved in with his cousin Booker (Bukka) White, also a blues guitarist. King’s attempts to copy Bukka’s playing helped him develop his own style. He sought out Sonny Boy Williamson, who had a radio show on WDIA in West Memphis, and asked to play a song for him. Williamson was so impressed with King that he offered King his own radio show and a chance to play regularly at Miss Annie’s 16th Street Grill. King was able to advertise his upcoming concerts on the radio, and soon he and his trio had become popular. Known on the radio as the “Beale Street Blues Boy,” which was shortened to “Bee-Bee,” and then to his famous initials, King decided he wanted to make records.”

 

 

 

 

 

 

” King was signed to Bullet Records and in 1949 recorded four songs at the radio station, including “Miss Martha King” and “I’ve Got the Blues.” He also continued to perform in the area. Musician and talent scout Ike Turner (1931–) connected King with the Kent/Modern/RPM record label, and King’s King’s 1951 single for his new label, “Three O’Clock Blues,” became a hit. He scored several other hits during these years, and by the mid-1950s he was playing about three hundred shows a year. He would maintain this schedule for over twenty years.”

 

 

 

  

The Fifties & Sixties

” The 1950s saw King establish himself as a perennially formidable hitmaking force in the R&B field. Recording mostly in L.A. (the WDIA air shift became impossible to maintain by 1953 due to King‘s endless touring) for RPM and its successor Kent, King scored 20 chart items during that musically tumultuous decade, including such memorable efforts as “You Know I Love You” (1952); “Woke Up This Morning” and “Please Love Me” (1953); “When My Heart Beats like a Hammer,” “Whole Lotta’ Love,” and “You Upset Me Baby” (1954); “Every Day I Have the Blues” (another Fulson remake), the dreamy blues ballad “Sneakin’ Around,” and “Ten Long Years” (1955); “Bad Luck,” “Sweet Little Angel,” and a Platters-like “On My Word of Honor” (1956); and “Please Accept My Love” (first cut by Jimmy Wilson) in 1958. King‘s guitar attack grew more aggressive and pointed as the decade progressed, influencing a legion of up-and-coming axemen across the nation.”

 

 

 

 

 

 

” In 1960, King‘s impassioned two-sided revival of Joe Turners “Sweet Sixteen” became another mammoth seller, and his “Got a Right to Love My Baby” and “Partin’ Time” weren’t far behind. But Kent couldn’t hang onto a star like King forever (and he may have been tired of watching his new LPs consigned directly into the 99-cent bins on the Biharis‘ cheapo Crown logo). King moved over to ABC-Paramount Records in 1962, following the lead of Lloyd Price, Ray Charles, and before long, Fats Domino.

  In November of 1964, the guitarist cut his seminal Live at the Regal album at the fabled Chicago theater and excitement virtually leaped out of the grooves. That same year, he enjoyed a minor hit with “How Blue Can You Get,” one of his many signature tunes. “Don’t Answer the Door” in 1966 and “Paying the Cost to Be the Boss” two years later were Top Ten R&B entries, and the socially charged and funk-tinged “Why I Sing the Blues” just missed achieving the same status in 1969. “

 

 

 

 

The Later Years

” Although B.B. King was a huge star in the African-American music community by 1965 he was still mostly unknown in the White community. This would change in 1965 when Elektra Records released Paul Butterfield’s first Butterfield Blues Band album, featuring the late Mike Bloomfield on guitar. Bloomfield became a star, almost overnight, and when he was asked where he learned to play the way he did, he replied, “By copying B.B.’s licks.” No one knew who “B.B.” was. And when they asked, “B.B.” who? Bloomfield replied, “The real monster; B.B. King.” After this happened B.B. King’s popularity soared. In short order “The Thrill Is Gone” became a big hit, he stopped having to play the “chitlin circuit” small town black clubs and started playing larger jazz clubs, dining rooms of luxury resort hotels, college concerts and rock palaces such as Filmore East .”

 

 

 

 

 

 

” In 1969 B.B. made his first appearance on network television on Johnny Carson’s the “Tonight Show.” In 1971 B.B. sang and played on Ed Sullivan’s show. By this time Sidney A. Seidenberg had come on board as B.B.’s new manager, he helped re-negotiate his old recording contracts with ABC/MCA records and got him major new bookings.

  Since the 1970’s B.B. King’s career has moved at a rapid pace up hill. He has recorded over 75 records, has received seven Grammy Awards, including its Lifetime Achievement Award in 1987, has been inducted into the Blues Hall of Fame, 1984, the Rock & Roll Hall of Fame, 1987, become a Member of the Songwriter’s Hall of Fame, 1990, received the Presidential Medal of the Arts, 1990, the Orville H. Gibson Lifetime Achievement Award, 1991, the Kennedy Center Honors, 1995, Presidential Medal of Freedom, American Heritage Fellowship Award by the National Endowment of the Arts, Three NAACP Image Awards, an MTV Video Music Award, 1989/89, a Star on the Hollywood Walk of Fame and many, many more.

  He has won 22 Downbeat Music Magazine Readers and Critics Poll Awards, 5 Guitar Player Magazine Awards, he has received an Honorary Doctorate of Music from Yale University and fathered 15 children. He has toured with U2 as the super rock group’s opening act and had a song, “When Love Comes to Town, written for him by U2’s star, lead singer, Bono. B.B. King still works between 250 and 300 days a year, calling himself a “music workaholic.” He lives ( when he takes time to rest ) in Las Vegas, Nevada. and currently plays a Gibson ES-355, a guitar he has been playing for over 25 years. He has played all over the world including Africa, Europe, China, Japan, Australia and New Zealand and is properly referred to everywhere as “The Ambassador of the Blues,” a title he so richly deserves.”

 

 

 

” B.B. King has influenced the guitar playing of; Eric Clapton, the late Mike Bloomfield, Stevie Ray Vaughn, Albert Collins, Albert King and Jimi Hendrix. He is one of this country’s living, national treasures, a humble but proud, spiritual and beautiful human being, and still “King of the Blues.” “

 

 

 

 

Discography

Year Album Label AllMusic Rating User Ratings
Singin’ the Blues
1956 Singin’ the Blues album review Pure Pleasure Records
(15)
The Blues
1960 The Blues album review Ace
(42)
Sings Spirituals
1960 Sings Spirituals album review Diablo (UK)
(7)
B.B. King Wails
1960 B.B. King Wails album review
(17)
My Kind of Blues
1961 My Kind of Blues album review EMI-Capitol Special Markets
(7)
More
1961 More album review P-Vine Records
(0)
Easy Listening Blues
1962 Easy Listening Blues album review Pony Canyon Records
(5)
Twist with B.B. King 1962 Twist with B.B. King
(0)
Blues in My Heart
1962 Blues in My Heart album review Ace
(2)
Blues for Me 1962 Blues for Me
(2)
A Heart Full of Blues
1962 A Heart Full of Blues P-Vine Records
(2)
Swing Low 1963 Swing Low United Recordings
(0)
Mr. Blues [ABC]
1963 Mr. Blues [ABC] album review ABC Music
(5)
Rock Me Baby [Kent] 1964 Rock Me Baby [Kent]
(1)
Let Me Love You 1965 Let Me Love You album review P-Vine Records
(0)
Boss of the Blues
1965 Boss of the Blues P-Vine Records
(2)
Live at the Regal
1965 Live at the Regal album review MCA
(236)
Live! B. B. King on Stage 1965 Live! B. B. King on Stage
(0)
Confessin' the Blues 1965 Confessin’ the Blues album review ABC Music
(5)
Turn on to B.B. King 1966 Turn on to B.B. King album review
(0)
The Original Sweet Sixteen 1966 The Original Sweet Sixteen album review
(1)
9 X 9.5 1966 9 X 9.5 United Recordings
(0)
R&B Soul 1967 R&B Soul Ember
(0)
Blues Is King [MCA]
1967 Blues Is King [MCA] album review MCA / Universal Special Products
(13)
Lucille
1968 Lucille album review MCA
(16)
Blues on Top of Blues
1968 Blues on Top of Blues album review Beat Goes On
(13)
Live & Well
1969 Live & Well album review Beat Goes On
(16)
The Feeling They Call the Blues, Vol. 2 1969 The Feeling They Call the Blues, Vol. 2 Trio
(0)
The Feeling They Call the Blues 1969 The Feeling They Call the Blues Trio
(0)
Completely Well
1969 Completely Well album review MCA
(41)
The Incredible Soul of B.B. King 1970 The Incredible Soul of B.B. King album review
(0)
Indianola Mississippi Seeds
1970 Indianola Mississippi Seeds album review MCA
(40)
Live in Cook County Jail
1971 Live in Cook County Jailalbum review MCA
(101)
Live in Japan
1971 Live in Japan album review MCA
(17)
In London
1971 In London album review Beat Goes On
(18)
L.A. Midnight 1972 L.A. Midnight album review
(6)
Guess Who
1972 Guess Who album review MCA
(9)
To Know You Is to Love You
1973 To Know You Is to Love You album review MCA
(10)
Friends
1974 Friends Beat Goes On
(2)
Together for the First Time...Live
1974 Together for the First Time…Live album review MCA
(15)
Together for the First Time 1974 Together for the First Time album review Dunhill Compact Classics
(1)
Together Again...Live
1976 Together Again…Live album review MCA
(6)
King Size 1977 King Size album review ABC Music
(2)
Midnight Believer
1978 Midnight Believer album review MCA
(7)
Take It Home
1979 Take It Home album review MCA
(8)
Rarest B.B. King 1980 Rarest B.B. King Blues Boy
(1)
Live
1980 Live “Now Appearing” at Ole Miss album review MCA
(3)
There Must Be a Better World Somewhere
1981 There Must Be a Better World Somewhere album review Beat Goes On
(7)
Love Me Tender
1982 Love Me Tender album review MCA
(4)
Blues 'n' Jazz
1983 Blues ‘n’ Jazz album review MCA
(6)
Six Silver Strings
1985 Six Silver Strings album review MCA
(8)
One Nighter Blues 1987 One Nighter Blues Ace
(1)
Introducing B.B. King 1987 Introducing B.B. King MCA
(0)
Doing My Thing, Lord 1988 Doing My Thing, Lord Kent
(0)
Across the Tracks 1988 Across the Tracks Ace
(0)
Lucille Had a Baby 1989 Lucille Had a Baby Ace
(0)
Live at the Apollo
1990 Live at the Apollo album review GRP
(10)
I Like to Live the Love
1990 I Like to Live the Love album review MCA Special Products
(0)
Live at San Quentin
1991 Live at San Quentin album review MCA
(8)
There Is Always One More Time
1992 There Is Always One More Time album review MCA
(7)
Better Than Ever 1993 Better Than Ever Kent
(0)
Blues Summit
1993 Blues Summit album review MCA
(18)
B.B. King/Mayfield/Flack 1994 B.B. King/Mayfield/Flack Castle Music Ltd.
(0)
Live in Kansas City
1994 Live in Kansas City Charly Records
(7)
True Blue
1994 True Blue Sequel
(2)
Swing Low Sweet Chariot
1995 Swing Low Sweet Chariot Prime Cuts
(2)
On the Road with B.B King 1996 On the Road with B.B King MCA
(0)
The Masters of the Blues [Delta]
1997 The Masters of the Blues [Delta] album review Delta Distribution
(0)
Paying the Cost to Be the Boss
1997 Paying the Cost to Be the Boss album review Laserlight
(1)
Deuces Wild
1997 Deuces Wild album review MCA
(34)
King Biscuit Flower Hour Presents B.B. King
1998 King Biscuit Flower Hour Presents B.B. King album review King Biscuit Entertainment
(2)
Blues on the Bayou
1998 Blues on the Bayou album review MCA
(36)
Let the Good Times Roll: The Music of Louis Jordan
1999 Let the Good Times Roll: The Music of Louis Jordan album review MCA
(22)
Makin' Love Is Good for You
2000 Makin’ Love Is Good for You album review MCA
(10)
Riding with the King
2000 Riding with the King album review Reprise
(213)
A Night in Cannes
2001 A Night in Cannes Purple Pyramid/Cleopatra / Cleopatra
(2)
A Christmas Celebration of Hope
2001 A Christmas Celebration of Hope album review MCA
(5)
Reflections
2003 Reflections album review MCA
(6)
80
2005 80 album review Geffen
(20)
Live
2008 Live album review Geffen
(45)
One Kind Favor
2008 One Kind Favor album review Geffen
(202)
Live at the Royal Albert Hall 2011
2012 Live at the Royal Albert Hall 2011 album review Shout! Factory
(134)

Concert Films 

BB King Africa 1974

B.B. King – Live in Dallas (1983)

B.B. King & Friends – A Blues Session [live in L.A. 1987]

B.B.King Live in Bonn 1994

A Tribute to Stevie Ray Vaughan with Eric Clapton, Buddy Guy and BB King – 1996

B B King & Band Live at B B King Blues Clubs Nashville & Menphis 2006

 

 

 

Interviews

B.B. King 1968 Interview

A talk with B.B. King

BB King – Blues Master

B.B. King: First Gig

Interview with B.B. King – North Sea jazz 2000

B.B. King interview 1989 – U2 “discover” B.B. King!

BB King – Johnny Winter – Blues, Interviews & Jam

B.B. King: The Life of Riley Official Trailer 1 (2014) – Documentary HD

B B King – The Life of Riley – Interview

 

 

 

Happy Birthday To The King Of The Blues

 

 

 

 

 

 

 

 

 

 

 

The Untold Story Of The Star-Spangled Banner

 

 

 

 

 

 

” Not only our national anthem, the Star-Spangled Banner was the flag that flew during the War of 1812  during the Battle of Baltimore at Fort McHenry, inspiring Francis Scott Key to write the words that would become the famous song.   

Around the country there will be celebrations to mark this historic event.

  Baltimore will be pulling out all the stops and is hosting the Star-Spangled Spectacular includes historic tall ships, Blue Angels flyovers, the state’s largest-ever fireworks show, and a concert featuring acts such as Smokey Robinson, Kenny Rogers and Melissa Etheridge.”

 

 

 

 

 

” Washington, D.C. will hold several events, including a sing-along of the anthem on one of the lawns adjacent to the U.S. Capitol building and a cocktail event Friday evening at the Smithsonian’s National Museum of American History.

Many other local communities will be hosting the singing of the anthem and other patriotic events.

Click here for a listing of events. “

 

 

Read more from Fox News here and be sure to check out our previous posts on the history of the Star Spangle Banner :

 

How The Star Spangled Banner Came To Be

The Star Spangled Banner Has Four Stanzas As This Marine Reminds Us

 

 

 

 

 

 

 

 

Crusaders Star Joe Sample Dies At 75

 

 

 

 

 

 

” Joe Sample, a founding member of The Crusaders who wrote chart hits such as Street Life and One Day I’ll Fly Away sung by Randy Crawford, has died at 75.

  Sample’s manager, Patrick Rains, told the AP press agency that Sample died of complications due to lung cancer at the MD Anderson Cancer Center in Houston.

  In a message on his Facebook page, his wife Yolanda and son Niklas thanked fans and friends for their support.”

 

 

 

 

 

 

 

 

” Sample’s songs were also sampled by hip hop stars including Tupac Shakur. The late rapper used Sample’s In All My Wildest Dreams on his track Dear Mama.

  Sample, a Texan, was a founding member of the Jazz Crusaders, which later became known simply as The Crusaders.”

 

 

    For a selection of videos featuring Mr Sample and the Crusaders go here and here .  The inquisitive reader can find biographical info on Mr Sample here , here and here . Read more

   Rest in peace sir , our lives are better for your having been a part of them .

 

 

 

 

 

 

 

 

 

Alan Jackson-Where Were You When The World Stopped Turning

Uploaded on Nov 20, 2006

” Alan Jackson’s song “Where Were You When the World Stopped Turning?” Dedicated to the victims and heros of 9-11. “

 

 

 

 

 

 

Rollin’ & Tumblin’

 

 

 

 

Star Spangled Banner As You’ve Never Heard It

 

 

 

 

Published on Jul 6, 2013

” The story of how our national anthem came to be. This is a story every American should hear. It’s a little lengthy, but I’m sure it’ll be worth your time.

  It took me awhile to make this. Towards the end I started getting lazy, so that’s why it may not be as great as the rest of the video. Enjoy anyways though :)

Oh yeah, and sorry about the typos in the anthem.

*I don’t own the audio or pics and the flag video that I used towards the end belongs to FarWestTexas.”

I’m Lost Without You – Memphis Slim

 

 

 

Uploaded on Mar 12, 2010

” One of my favorites from Memphis Slim. In European Jazz prisma 1963. Matt Guitar Murphy on guitar.

http://www.thefortynighters.com

 

 

 

Zac Brown Band

 

 

 

 

 

” #IceBucketChallenge accepted! This one’s for you Hunter Hayes and Vineyard Vines. We now challenge Jimmy Buffett and the Coral Reefers,Foo Fighters, Bob Lefsetz and #GarthBrooks. Join us to #StrikeOutALS! You have 24 hours. “

 

 

 

 

 

 

 

 

 

 

Cleaning A Record With Wood Glue

 

 

 

 

Uploaded on Apr 30, 2011

” I wanted to try cleaning an LP with wood glue. It made for quite an improvement – and I’ve read that multiple cleanings continue to clean up the snaps crackles and pops.

  Edit: I know I used way too much glue in this vid. :) But it was my first try so I wanted to get it right. You can use considerably less glue and still get the same effect – but it cuts the dry time way down. Just be sure that you get the whole record covered! “

 

 

 

    As someone with hundreds of old LPs destined to never make it onto CD I am extremely interested in this record restoration technique .

 

 

 

 

 

 

 

 

 

 

 

 

Blues Legend Johnny Winter Dies At Age 70 In Zurich

 

 

 

 

 

” Texas blues legend Johnny Winter, known for his collaborations with the likes of Jimi Hendrix and childhood hero Muddy Waters, has died at the age of 70.

  His representative, Carla Parisi, confirmed today that Winter died in a hotel room in Zurich, Switzerland, on Wednesday. There was no immediate word on the cause of death.”

 

 

 

 

 

 

” Winter was a leading light among the white blues guitar players, including Eric Clapton and the late Stevie Ray Vaughan, who followed in the footsteps of the earlier Chicago blues masters. 

Winter idolized Waters — and got a chance to produce some of the blues legend’s more popular albums.” 

 

 

 

 

 

 

” Rolling Stone magazine named Winter one of the top 100 guitarists of all time and he was famed for his lightening-fast blues guitar riffs and striking long white hair.

  His representative’s statement said his wife, family and bandmates were all saddened by the loss of one of the world’s finest guitarists.”

 

 

 

    Johnny may have departed this earth but thanks to his music we are “still alive & well” … RIP Mr Winter your absence will be forever felt .

 

 

 

   Read more about the legend’s death here and look for an in-depth tribute to one of our favorite guitarists very soon…

Nirvana’s Krist Novoselic On Punk, Politics, & Why He Dumped The Dems

 

 

 

 

 

 

Published on Jun 19, 2014

” Krist Novoselic is best known as the co-founder and bassist of Nirvana, one of the most influential music groups of the past quarter century. The release of the band’s albums Bleach, Nevermind, and In Utero in the late 1980s and early ’90s not only mainstreamed what became known as grunge but helped to forever end what was once known as the mainstream. After Nirvana, it seems there is only alternative music and alternative culture, a transformation that is both liberating and anxiety-producing.

  Born in 1965 in Compton, California, but raised in Aberdeen, Washington, Novoselic (pronounced know-voe-selitch) embodies the forces Nirvana helped to unleash. Since the 1994 suicide of band leader Kurt Cobain, Novoselic has continued to play with various groups, including a stint with the legendary post-punk band Flipper and sporadic collaborations with former Nirvana bandmate Dave Grohl of the Foo Fighters. But the bass player is also pushing to create an alternative approach to electoral politics.

  In 2004, Novoselic published Of Grunge and Government: Let’s Fix This Broken Democracy, and these days he’s chairman of FairVote, a nonprofit that lobbies for electoral reform such as instant runoffs and proportional voting. After serving as chairman of his county Democratic committee for several years and supporting Barack Obama early on, he has broken with the Democratic Party, in part because “it’s a top-down structure” impervious to change from the grassroots.

  Like Nirvana’s music, Novoselic’s politics cannot be easily categorized: He has donated money to Ron Paul’s campaign and he speaks in favor of the liberal-loathed Citizens United Supreme Court decision, which ended limits on non-coordinated political spending by corporations in federal elections. He’s active in his local chapter of the fraternal farmer’s organization, the National Grange of the Order of Patrons of Husbandry, proving you can go from grunge to Grange.

  Novoselic recently sat down with Reason TV’s Nick Gillespie to discuss FairVote (4:18), gerrymandering (8:34), how he self-describes politically (11:30), the Grange (12:23), decentralization in the punk rock world (14:43), his issues with Democrats (20:00), why Republicans should embrace anarchy (22:08), why he fled the anti-World Trade Organization demonstration in Seattle (27:51), living in Croatia in 1980 (30:33), the early days of Nirvana (34:32), playing Germany just days after the Berlin Wall fell (37:46), Kurt Cobain as an individual vs. as an icon (43:20), drug legalization (45:57), going to college online (47:50), why he owns guns (51:31), his musical guilty pleasure (55:34), and more.

Interview by Gillespie; produced by Meredith Bragg. About one hour.

Visit http://reason.com/reasontv/2014/06/19… for full text, links, and downloadable versions and subscribe to Reason TV’s YouTube channel for automatic notification when new material goes live.”

 

 

 

 

 

 

 

 

 

 

 

 

 

Hip Hop Cops

 

 

 

Published on Jun 12, 2014

” Hip Hop Cops

Ever wonder what goes on inside of a patrol car…? Here is the inside scoop…

See…we really are no different then anyone else.”

 

 

HT/PetFlow

 

 

 

 

 

 

 

 

 

A Man Added Himself to Every Frame Of A Britney Spears Music Video

” Living fancy like Britney Spears isn’t easy. You have to work for it.

  Gal Volinez committed some serious time and effort to the task. He inserted himself into every scene of Spears’ video for “Work Bitch,” replacing the pop star with footage of himself. If this isn’t how you spent your weekend, you wasted your Saturday.”

 

Mashable

 

 

 

 

 

 

 

 

 

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