Tag Archive: Guitar


Blues Legend Johnny Winter Dies At Age 70 In Zurich

 

 

 

 

 

” Texas blues legend Johnny Winter, known for his collaborations with the likes of Jimi Hendrix and childhood hero Muddy Waters, has died at the age of 70.

  His representative, Carla Parisi, confirmed today that Winter died in a hotel room in Zurich, Switzerland, on Wednesday. There was no immediate word on the cause of death.”

 

 

 

 

 

 

” Winter was a leading light among the white blues guitar players, including Eric Clapton and the late Stevie Ray Vaughan, who followed in the footsteps of the earlier Chicago blues masters. 

Winter idolized Waters — and got a chance to produce some of the blues legend’s more popular albums.” 

 

 

 

 

 

 

” Rolling Stone magazine named Winter one of the top 100 guitarists of all time and he was famed for his lightening-fast blues guitar riffs and striking long white hair.

  His representative’s statement said his wife, family and bandmates were all saddened by the loss of one of the world’s finest guitarists.”

 

 

 

    Johnny may have departed this earth but thanks to his music we are “still alive & well” … RIP Mr Winter your absence will be forever felt .

 

 

 

   Read more about the legend’s death here and look for an in-depth tribute to one of our favorite guitarists very soon…

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Daily Video 7.7.14

Hound Dog Taylor & Little Walter – Wild About You Baby

 

 

 

Uploaded on Nov 18, 2007

” Hound Dog Taylor & the Houserockers featuring Little Walter on harmonica. This was back in 1967. 

My account was deleted a while ago so I re-uploaded this one again. I thought it was kind a shame this one was deleted of youtube because we had some very nice discussions going, with even people like Billy Branch commenting! “

 

 

 

 

 

 

 

 

 

 

 

Happy Birthday Jeff Beck

Happy Birthday To A Master

 

 

JEFF BECK

” Beck grew up in Wallington, England. His mother’s piano playing and the family’s radio tuned to everything from dance to classical made sure Beck was surrounded by music from a young age.

“ For my parents, who lived through the war, music was a source of comfort to them. Life was tense and music helped them forget about their troubles. I’m sure that made an impression on me,” recalls Beck. “I was really small when jazz broke through in England and I can still remember sneaking off to the living room to listen to it on the radio—much to my parent’s disapproval.”

  Inspired by the music he heard, it wasn’t long before Beck picked up a guitar and began playing around London. He briefly attended Wimbledon’s Art College before leaving to devote all of his time to music. Beck worked as a session player, with Screaming Lord Sutch – the British equivalent to Screaming Jay Hawkins – and the Tridents before he replaced Eric Clapton as the Yardbirds’ lead guitarist in 1965.”

  

 

 

 

 

http://www.youtube.com/watch?v=_o3CIa3nrZE&feature=player_detailpage

 

 

 

 

 

 ” Geoffrey Arnold “Jeff” Beck (born 24 June 1944) is an English rock guitarist. He is one of three noted guitarists to have played with The Yardbirds(Eric Clapton and Jimmy Page are the other two). Beck also formed The Jeff Beck Group and Beck, Bogert & Appice.

  Much of Beck’s recorded output has been instrumental, with a focus on innovative sound and his releases have spanned genres ranging from blues-rockheavy metaljazz fusion and an additional blend of guitar-rock and electronica. Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained the sustained commercial success of many of his contemporaries and bandmates.

   Beck appears on albums by Mick JaggerKate BushRoger WatersDonovanStevie WonderLes PaulZuccheroCyndi LauperBrian May and ZZ Top. In 1988, he made a cameo appearance in the movie Twins.

  He was ranked 5th in Rolling Stone‘s list of the “100 Greatest Guitarists of All Time” and the magazine has described him as “one of the most influential lead guitarists in rock”.  MSNBC has called him a “guitarist’s guitarist”.  Beck has earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times and Grammy Award for Best Pop Instrumental Performance once. He has been inducted into the Rock and Roll Hall of Fame twice: as a member of The Yardbirds (1992) and as a solo artist (2009).  “

 

 

 

 

http://www.youtube.com/watch?v=hXIwEhS2Tkc&feature=player_detailpage

 

 

 

 

 

 All About Jazz is celebrating Jeff Beck’s birthday today!

 

” Jeff Beck isn’t your typical guitar legend. His goal, in fact, is to make you forget that he plays guitar. “I don\’t understand why some people will only accept a guitar if it has an instantly recognizable guitar sound,” says Beck.”Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off… Read more. “

 

 

 

 

 

 

 

 

 

” This Jeff Beck recordings listing is arranged in chronological order, except for the recordings he made with the Yardbirds. Jeff Beck was a member of the Yardbirds for two years and some of the recordings he made with them were not released until 14 years later. All records listed are US and England, unless otherwise specified.”

 

 

 

 

 

 

 

Happy Birthday Jeff , Long May You Play

 

 

 

 

 

 

 

 

 

Mariusz Goli “Improwizacja” Katowice Stawowa

 

 

 

 

Published on Feb 10, 2014

” Video by Jukka Male,
www.jukkamale.com
Jeśli chcecie wspomóc mnie w rozwoju: konto paypal: mariusz.goli@gmail.com lub konto: Nr. IBAN: PL73 1140 2004 0000 3502 6541 4181
If you want to support me in the development: paypal: mariusz.goli@gmail.com or my account number:
Nr. IBAN: PL73 1140 2004 0000 3502 6541 4181″

 

 

 

 

Les Paul – Jeff Beck – Jamming Together HD

 

 

 

 

Published on Jul 27, 2012

” Les Paul – Jeff Beck – Jamming Together – Upgraded Version of my track-hack copy.
Billy Squier intro with Les Paul & Jeff Beck trading off riffs.
(note the wad of duct tape on JB’s strat..
word was he knew LP was going to yank the cord out …cause its not a Les Paul……………. Rip Les Paul (Lester William Polfuss) June 9 1915 – Aug 13 2009

*NOTE* This video uses copyrighted material in a manner that does not require approval of the copyright holder. No copyright infringement is intended. The musical content is used under the FAIR USE policy, and is presented purely in good faith for the purposes of promoting information of an educational and historical nature only. All copyright claim is fully retained by the authors, publishers, and owners of the original copyright.”

 

 

 

 

 

 

 

Daily Video 5.16.14

Damon Fowler – “Old Fools, Bar Stools, and Me”

 

 

 

 

Published on May 1, 2014

” The Damon Fowler Band performs a live version of “Old Fools, Bar Stools, and Me,” a track from their highly-acclaimed new release, Sounds of Home.”

Muddy Waters & Rory Gallagher [ 1 ] ~ Tribute ( Electric Chicago Blues 1972)

 

 

 

 

Published on Apr 21, 2014

” From the album ”The London Muddy Waters Sessions” 1972
Track List
”Who’s Gonna Be Your Sweet Man When I’m Gone”
”Key To The Highway”
”I’m Gonna Move To The Outskirts Of Town”
*Disclaimer: All audio & visual parts in my videos are the sole property of their respective owners.
The videos are purely for entertainment and recreational purposes.
No Copyright infringement intended!
All rights go to their rightful owners.
I do not own the rights of the music. “


Thin Lizzy Live On The Old Grey Whistle Test

 

 

 

 

 

Uploaded on Oct 25, 2006

” Thin Lizzy playing Don’t Believe A Word live on The Old Grey Whistle Test,
the band members Phil Lynott, Gary Moore, Scott Gorham & Cozy Powell.”

Greatness

 

 

A Fabulous Early Performance

 

 

 

 

Happy Birthday Albert King

 

 

 

 

 

Wiki Bio

 

” One of the “Three Kings of the Blues Guitar” (along with B.B. King and Freddie King), Albert King stood 6 ft 4 in (1.93 m) (some reports say 6 ft 7 in (2.01 m)) and weighed 250 pounds (110 kg)[2] and was known as “The Velvet Bulldozer”. He was born Albert Nelson on a cotton plantation in Indianola, Mississippi. During his childhood he would sing at a family gospel group at a church where his father played the guitar. One of 13 children, King grew up picking cotton on plantations near Forrest City, Arkansas, where the family moved when he was eight.”

 

 

 

” He began his professional work as a musician with a group called In The Groove Boys in Osceola, Arkansas.[2] Moving north to Gary, Indiana and later St. Louis, Missouri, he briefly played drums for Jimmy Reed‘s band and on several early Reed recordings. Influenced by blues musicians Blind Lemon Jefferson and Lonnie Johnson, the electric guitar became his signature instrument, his preference being the Gibson Flying V which he named “Lucy”. King earned his nickname “The Velvet Bulldozer” during this period as he drove one of them and also worked as a mechanic to make a living.”

 

 

 

” King moved to Gary, Indiana in the early 1950s, then to Chicago in 1953 where he cut his first single for Parrot Records, but it was only a minor regional success.[2] He then went back to St. Louis in 1956 and formed a new band. During this period, he settled on using the Flying V as his primary guitar.[2] He resumed recording in 1959 with his first minor hit, “I’m a Lonely Man,” written by Little Milton, who was Bobbin Records A&R man, a fellow guitar hero, and responsible for King’s signing with the label.”

 

 

 

 

albertking

 

 

 

AllMusic Bio

 

” Albert King is truly a “King of the Blues,” although he doesn’t hold that title (B.B. does). Along with B.B. and Freddie KingAlbert King is one of the major influences on blues and rock guitar players. Without him, modern guitar music would not sound as it does — his style has influenced both black and white blues players from Otis Rush and Robert Cray to Eric Clapton and Stevie Ray Vaughan. It’s important to note that while almost all modern blues guitarists seldom play for long without falling into a B.B. King guitar cliché, Albert King never does — he’s had his own style and unique tone from the beginning.”

 

 

 

” Albert King plays guitar left-handed, without re-stringing the guitar from the right-handed setup; this “upside-down” playing accounts for his difference in tone, since he pulls down on the same strings that most players push up on when bending the blues notes. King‘s massive tone and totally unique way of squeezing bends out of a guitar string has had a major impact. Many young white guitarists — especially rock & rollers — have been influenced by King‘s playing, and many players who emulate his style may never have heard of Albert King, let alone heard his music. His style is immediately distinguishable from all other blues guitarists, and he’s one of the most important blues guitarists to ever pick up the electric guitar.”

 

 

 

 

 

” Albert King left Bobbin in late 1962 and recorded one session for King Records in the spring of 1963, which were much more pop-oriented than his previous work; the singles issued from the session failed to sell. Within a year, he cut four songs for the local St. Louis independent label Coun-Tree, which was run by a jazz singer named Leo Gooden. Though these singles didn’t appear in many cities — St. Louis, Chicago, and Kansas City were the only three to register sales — they foreshadowed his coming work with Stax Records. Furthermore, they were very popular within St. Louis, so much so that Gooden resented King‘s success and pushed him off the label.”

 

 

 

” Following his stint at Coun-Tree, Albert King signed with Stax Records in 1966. Albert‘s records for Stax would bring him stardom, both within blues and rock circles. All of his ’60s Stax sides were recorded with the label’s house band, Booker T. & the MG’s, which gave his blues a sleek, soulful sound. That soul underpinning gave King crossover appeal, as evidenced by his R&B chart hits — “Laundromat Blues” (1966) and “Cross Cut Saw” (1967) both went Top 40, while “Born Under a Bad Sign” (1967) charted in the Top 50. Furthermore, King‘s style was appropriated by several rock & roll players, most notably Jimi Hendrix and Eric Clapton, who copied Albert‘s “Personal Manager” guitar solo on the Cream song, “Strange Brew.” Albert King‘s first album for Stax, 1967’s Born Under a Bad Sign, was a collection of his singles for the label and became one of the most popular and influential blues albums of the late ’60s. Beginning in 1968, Albert King was playing not only to blues audiences, but also to crowds of young rock & rollers. He frequently played at the Fillmore West in San Francisco and he even recorded an album, Live Wire/Blues Power, at the hall in the summer of 1968.”

 

 

 

” Early in 1969, King recorded Years Gone By, his first true studio album. Later that year, he recorded a tribute album to Elvis Presley (Blues for Elvis: Albert King Does the King’s Things) and a jam session with Steve Cropper and Pops Staples (Jammed Together), in addition to performing a concert with the St. Louis Symphony Orchestra. For the next few years, Albert toured America and Europe, returning to the studio in 1971, to record the Lovejoy album. In 1972, he recorded I’ll Play the Blues for You, which featured accompaniment from the Bar-Kaysthe Memphis Horns, and the Movement. The album was rooted in the blues, but featured distinctively modern soul and funk overtones.”

 

 

 

 

 

Rock & Roll Hall Of Fame Bio

 

” In 1969, King performed live with the St. Louis Symphony Orchestra, forming what was called an “87-piece blues band.” During the early Seventies, he recorded the album Lovejoy with a group of white rock singers and an Elvis Presley tribute album, Albert King Does the King’s Things. King continued to tour throughout the Seventies, and in June 1970, he joined the Doors onstage at a show in Vancouver, Canada.”

 

 

 

” King’s sound underwent a major change in the Seventies, as he teamed up with the Bar-Kays and the Memphis Horns on the albums I’ll Play the Blues for You and I Wanna Get Funky. That partnership gave his music a much funkier sound than it had on his earlier recordings, and the former album’s title track became one of his signature songs. King also worked with Allen Toussaint and some of the Meters during this period.”

 

 

 

 

 

Cascade Blues Bio

 ”  If the annals are ever logged as to who the most influential guitar greats of all time were, then there would be no question regarding the inclusion of the three “Kings” of the Blues: B.B.Freddie and Albert. There is little doubt of the impact that each of these artists brought to the future sounds of Blues, Soul and Rock ‘n’ Roll. Albert King was a master of the single-string attack and was intrigued by Blues performers that he heard while growing up outside of Memphis. In turn, he influenced a new generation of guitar players that would include the likes of Jimi HendrixEric Clapton and Stevie Ray Vaughan.”

”  On February 1, 1968, Albert King shared a bill that included John Mayall and Jimi Hendrix for opening night at a new venue in San Francisco called The Fillmore Auditorium. This popular music hall would become a second home for King, and later that same year he returned to record a live album “Live Wire / Blues Power” became one of the best-selling Live Blue! recordings ever and helped establishKing’s career further. Two other albums were released in the early 1990s that were taped during these same performances (“Wednesday Night In San Francisco: Recorded Live At The Fillmore Auditorium” and “Thursday Night In San Francisco…”  Though weaker than the original both serve as true testaments to the talents of Albert King’s guitar.”

” King continued to record with Stax, until the demise of the label in the mid-1970s. The output of this period included some strange mixtures for a Blues musician. In 1969, Albert became the first Blues performer to perform with a symphony orchestra in a concert that teamed him with the St. Louis Symphony. He recorded the album “Lovejoy “at Muscle Shoals with white Southern rockers and even released a tribute album to Elvis Presley, “Blues For Elvis: Albert King Does The King’s Things“. There was even an appearance on a comedy LP by Albert Brooks, “A Star Is Bought“. After Staxfolded, King would record for a number of labels that would include TomatoUtopia and Fantasy, until he decided to retire in the mid-1980s. Though Albert King had given up on recording, he still managed to find time to perform. He made cameo appearances on albums by up-coming Bluesmen like Chris Cain (“Cuttin’ Loose“) and Gary Moore (“Still Got The Blues“). He also made frequent stops at Blues festivals around the world, continuing to influence new generations of guitarists including Stevie Ray Vaughan and Robert Cray.”

” King played his final concert in Los Angeles on December 19, 1992. He died two days later at home in Memphis after suffering a sudden heart attack. After his funeral, a procession was led down Beale Street in a true New Orleans-style Jazz tradition, as the hearse bearing King’s body was led by the Memphis Horns playing “When The Saints Go Marching In“. King was laid to rest across the Mississippi River in the Paradise Gardens Cemetery in Edmondson, Arkansas, not far from where he spent his childhood.”   

“Albert King has been honored by The Blues Foundation with his induction into their Hall of Fame. Both “Born Under A Bad Sign” and “Live Wire / Blues Power” are also honored as Classics of Blues Recordings. But, the real honor for King is the love and everlasting respect that so many of his peers have given him. Stevie Ray Vaughan would call him “Daddy” and John Lee Hooker named him as one of his all-time favorite guitarists. Michael Bloomfield once said, “Albert can take four notes and write a volume. He can say more with fewer notes than anyone I’ve ever known.”  B.B. King stated in his autobiography “He wasn’t my brother in blood, but he sure was my brother in Blues.”  Albert King’s legend will live on.  Every time a Blues or Rock combo is on stage, in an arena or small nightclub, or just playing in their garage and grinds into “Born Under A Bad Sign” or “Crosscut Saw“, his influence will be shining true.”

 

 

 

” King died on December 21, 1992 from a heart attack in his Memphis, Tennessee home. His final concert had been in Los Angeles two days earlier. He was given a funeral procession with the Memphis Horns playing “When The Saints Go Marching In” and buried in Edmondson, Arkansas near his childhood home. B.B. King eulogized him by stating “Albert wasn’t my brother in blood, but he was my brother in blues.”

On December 11th, 2012, it was announced that King would be posthumously inducted into the 2013 Rock and Roll Hall of Fame.[3] “

 

 

 

 

 Albert Nelson King

    Apr. 25, 1923-Dec. 21, 1992

 

 

Discography

Albums

Born Under A Bad Sign

‎ ◄ (12 versions)

Stax

1967

Live Wire / Blues Power

‎ ◄ (11 versions)

Stax

1968

Albert King , Steve Cropper & Pops Staples – Jammed Together ‎ ◄ (5 versions)

Stax

1969

King Of The Blues Guitar

‎ ◄ (6 versions)

Atlantic

1969

Years Gone By

‎ ◄ (6 versions)

Stax

1969

King Does The King’s Thing

‎ ◄ (6 versions)

Stax

1969

Lovejoy

‎ ◄ (3 versions)

Stax

1971

I’ll Play The Blues For You

‎ ◄ (9 versions)

Stax

1972

I Wanna Get Funky

‎ ◄ (4 versions)

StaxStax

1974

Albert King / Chico Hamilton / Little Milton – Montreux Festival ‎ ◄ (3 versions)

Stax

1974

Travelin “To California

‎ ◄ (3 versions)

King Records (3)

1976

Truckload Of Lovin’

‎ ◄ (8 versions)

Utopia (2)

1976

Albert Live

‎ ◄ (4 versions)

Utopia (2)

1977

The Pinch

‎ ◄ (5 versions)

StaxEMI

1977

King Albert

‎ ◄ (5 versions)

Tomato

1977

Albert

‎ ◄ (5 versions)

Tomato

1978

New Orleans Heat

‎ ◄ (8 versions)

Tomato

1978

San Francisco ’83

‎ ◄ (3 versions)

Fantasy

1983

I’m In A Phone Booth Baby

‎ (LP)

Fantasy

1984

The Lost Session

‎ ◄ (3 versions)

Stax

1986

Blues At Sunrise

‎ ◄ (3 versions)

Stax

1988

Thursday Night In San Francisco

‎ ◄ (3 versions)

Stax Records

1990

Wednesday Night In San Francisco

‎ ◄ (2 versions)

Stax

1990

Red House

‎ (LP, Album)

Essential

1991

Crosscut Saw – Albert King In San Francisco

‎ (CD, RM)

Stax

1992

Mean, Mean Blues

‎ (Cass, Album)

Highland Music

1993

Albert King With Stevie Ray Vaughan – In Session ‎ ◄ (9 versions)

Stax

1999

Live 69

‎ (CD, Album)

Tomato

2003

Talkin’ Blues

‎ (CD)

Thirsty Ear

2003

The Big Blues

‎ (LP, Album, RE)

Sundazed Music

2012

Live At The Blues Festival

‎ (LP, Album)

Links

100 GREATEST GUITARISTS

MTV Biography

Albert King: inducted in 2013 | The Rock and Roll Hall of Fame …

Albert King, Mississippi Blues musician – Mississippi writers …

Albert King | Bio, Pictures, Videos | Rolling Stone

Albert King - Profile and Biography of Blues Guitarist Albert King …

Albert King Biography – Musician Biographies

Videos

Wattstax (1973)

Albert King – Live 1/7/78 Full Show

Albert King – Maintenance Shop Blues (Live 1981)

John Mayall’s Bluesbreakers 1982 Jam With Albert King , Etta James …

Stevie Ray Vaughan & Albert King in session 1983

Albert King & Stevie Ray Vaughan — In Session 2010 1983

B.B. King & Albert King – Japan Blues Carnival 1989

Albert King / Canned Heat Aussie Tour 1990

LiveLeak.com – Rock and Roll Hall of Fame – ALBERT KING

Interviews

Albert King – Interview

Albert King – Interview 2

Greg Koch On Meeting Albert King • Wildwood Guitars Story

 

 

 

Music

Albert King – King Albert Vinyl Records, CDs and LPs

iTunes – Music – Albert King – Apple

Albert King on Spotify

Amazon.comAlbert King

Albert King – Listen to Free Music on Pandora …

 

 

 

 

 

 

 

 

 

 

 

Happy Birthday Gary

 

 

 

Early Life And Career

” Moore started performing at a young age, having picked up a battered acoustic guitar at the age of eight. He got his first quality guitar at the age of 14, learning to play the right-handed instrument in the standard way despite being left-handed. He moved to Dublin in 1968 at the age of 16. His early musical influences were artists such as Albert KingElvis PresleyThe Shadows and The Beatles. Later, having seen Jimi Hendrix and John Mayall’s Bluesbreakers in his home town of Belfast, his own style was developing into a blues-rock sound that would be the dominant form of his career in music.

Moore’s greatest influence in the early days was guitarist Peter Green of Fleetwood Mac who was a mentor to Moore when performing in Dublin. Green’s continued influence on Moore was later repaid as a tribute to Green on his 1995 album Blues for Greeny, an album consisting entirely of Green compositions. On this tribute album, Moore played Green’s 1959 Les Paul Standard guitar which Green had lent to Moore after leaving Fleetwood Mac. Moore ultimately purchased the guitar, at Green’s request, so that “it would have a good home”.

While less popular in the US, Moore’s work “brought substantial acclaim and commercial success in most other parts of the world – especially in Europe”. Throughout his career, Moore was recognised as an influence by many notable guitarists including Vivian Campbell, Patrick Rondat, John NorumPaul Gilbert, Gus GSlashOrianthiJoe BonamassaAdrian SmithDoug AldrichZakk Wylde, Randy RhoadsJohn Sykes and Kirk Hammett.

He collaborated with a broad range of artists including Phil LynottGeorge Harrison,Trilok GurtuDr. Strangely StrangeColosseum IITravelling WilburysAlbert Collins,Jimmy NailMo FosterGinger BakerJack BruceJim CapaldiB.B. KingBob Dylan,Vicki BrownCozy PowellRod Argentthe Beach BoysOzzy OsbournePaul RodgersKeith EmersonRoger DaltreyAlbert King and together with Colosseum II with Andrew Lloyd Webber on the composer’sVariations album in 1978. He experimented with many musical genres, including rock, jazzbluescountryelectric blueshard rock and heavy metal.[9]

In 1968, aged 16, Moore moved to Dublin to join the group Skid Row with Noel Bridgeman and Brendan “Brush” Shiels. It was with this group that he earned a reputation in the music industry, and his association with Phil Lynott began.

 

 

 

 

 

 

 

 

Allmusic:

” Skid Row would go on to issue several singles and albums (including 1970’s Skid and 1971’s 34 Hours), and although the group mounted a few tours of Europe and the U.S., it failed to obtain breakthrough commercial success, leading to Moore‘s exit from the group in 1972.Moore then formed his own outfit, the Gary Moore Band (along with members drummer Pearse Kelly and bassist John Curtis), for which the guitarist also served as vocalist. But after the trio’s debut album, 1973’s Grinding Stone, sunk without a trace, Moore hooked up once more with ex-bandmate Lynott in Thin LizzyMoore‘s initial tenure in Lizzy proved to be short-lived, however, as his fiery playing was featured on only a handful of tracks. Moore then set his sights on studio work (appearing on Eddie Howell‘s 1975 release, Gramaphone Record), before joining up with a prog rock/fusion outfit, Colosseum II.

 

 

 

 

 

 

 

 

” But once more, Moore‘s tenure in his latest outfit was fleeting; he appeared on only three recordings (1976’s Strange New Flesh, plus a pair in 1977, Electric Savage and War Dance), as Moore accepted an invitation by his old buddy Lynott to fill in for a Thin Lizzy U.S. tour, playing arenas opening for Queen.”

 

 

 

 

 

 

 

 

About Gary Moore

” Moore proved to be quite busy in 1978, as the guitarist appeared on three other artists’ recordings — Andrew Lloyd Webber’s Variations, Rod Argent’s Moving Home, and Gary Boyle’s Electric Glide. The same year, Moore issued his second solo release (almost five years after his solo debut), Back on the Streets, which spawned a surprise Top Ten U.K. hit in May of 1979, the bluesy ballad “Parisienne Walkways,” and featured vocal contributions by Lynott. Moore joined forces with his Lizzy mates once more in 1979, appearing on arguably the finest studio album of their career, Black Rose, which proved to be a huge hit in the U.K. (for a fine example of Moore’s exceptional guitar skills, check out the album’s epic title track). But predictably, Moore ultimately exited the group once more (this time right in the middle of a U.S. tour), as a rift had developed between Moore and Lynott. Undeterred, Moore lent some guitar work to drummer Cozy Powell’s solo release, Over the Top, in addition to forming a new outfit, G Force, which would only remain together for a lone self-titled release in 1980.”

 

 

 

 

 

 

 

 

Click here to reserve your copy!

 

 

 

 

 

 

 

 

Irish Rockers

” In the 1980s Gary established his reputation as one of the top guitarists on the heavy metal scene with a series of rock albums that showcased his skill. Kirk Hammett of Metallica, who cites Gary as one of his top 5 influences, sums up Gary’s style of playing very well: “Gary’s technique was very modern, but his guitar style was very blues-based. His phrasing was very, very blues-based. He played long, sustained notes coupled with really super fast-picked notes and he had a great legato style“.

 

 

 

 

 

 

 

” In 1990, Moore returned to his blues roots with ‘Still Got the Blues’, with contributions from Albert King, Albert Collins and George Harrison. The album was well received by fans and was his biggest seller. He stayed with the blues format until 1997, when he decided to experiment with modern dance beats on Dark Days in Paradise; this left many fans, as well as the music press, confused. With Back to the Blues, Moore return to his tried and tested blues format in 2001. In 2002 he got back to more of a hard rocking style with the album Scars. He also returned to playing some of his metal-period material in the 2003 Monsters of Rock Tour. Then he continued on with the blues rock style on Power of the Blues (2004), Old New Ballads Blues (2006), Close As You Get (2007) and Bad For You Baby (2008).”

 

 

 

 

 

 

 

Gary Moore Official Website

 

” The, Back To The Blues’ (2001) album saw him revisit The Blues with renewed vigour and determination, after the more experimental ‘Dark Days In Paradise’ (1997) and ‘A Different Beat’ (1999) albums. A ten-track collection that mixed excellent Moore originals, with gritty and intense covers of standards. But, in the tradition of keeping his fans and critics guessing, 2002 saw Gary Moore crashing back onto the music scene with what had to be his heaviest collection of songs since the late 1980’s, once again forcing people to reassess any opinions and preconceptions they might have had of him.”

 

 

 

 

 

 

 

” That time round though, Moore had decided to share the limelight, joining forces with ex-Skunk Anansie bassist Cass Lewis and Primal Scream drummer Darrin Mooney to form ‘Scars’, a true power trio in every respect. The ‘Scars’ album was completed in early 2002 and that line-up, then went on to record the ‘Live at the Monsters of Rock’ (2003) live CD and DVD, which featured the band’s set as performed on two separate nights on the UK Tour in May 2003. That live set encompassed a diverse range of material, from across Gary’s playing career.”

 

 

 

 

 

 

 

” 2004 saw possibly the rawest album yet, with ‘Power of the Blues’. The 10-track set, recorded mostly live in the studio, ranged from the hard rock/blues of the title track, via the upbeat swing of “Can’t find my baby”, to the haunting “Torn Inside”.

 

 

 

” Taking time out in August 2005, for a brief reunion with former Thin Lizzy band members, for a one off concert in Dublin, to mark the occasion of Phil Lynott’s birth. The evening was filmed for the 2006 DVD release, ‘Gary Moore and Friends, One Night in Dublin, A Tribute to Phil Lynott’.

 

 

 

 

 

 

 

” With his 2007 studio album ‘Close As You Get’, Gary continued in a direction not too dissimilar from ‘Old, New, Ballads, Blues’, released in 2006. Mixing original tunes with some interesting Blues covers that Gary had rediscovered, whilst researching for his award winning radio series, “Blues Power”, on Planet Rock (UK based digital/internet “radio” station). September 2008 saw the release of what would turn out to be Gary’s last studio album, “Bad for you Baby”. Again, a powerful collection of tracks, of original material and selected blues covers. After being on the road for most of 2008 and into 2010 with the “Blues” line up of the touring band. Gary returned from a tour of Russia and the Far East, and decided to reunite with his old sparring partner from the rock line up’s of the 1980’s, Neil Carter. The plan was to put together a “Rock” line up and dust off a selection of tracks from the mid to late 1980’s.”

 

 

 

“Adding Jon Noyce, (ex Jethro Tull/Sessions) on bass, some one who was also part of the, “One Night in Dublin” Tribute DVD in 2005, and Darrin Mooney (Primal Scream/Sessions) on drums, who was no stranger to the touring and recording line during the late 1990’s and early 2000’s. This line up, hit the road in May of 2010, performing a live set based around a selection of tracks from the “Rock Years” of the 1980’s. This proved to be a real treat for fans, old & new, as many would have not heard Gary play these songs live, either for a very long time, or in many cases, at all. In addition to the older tunes, a number of new “Celtic Rock” style tracks were included in the show, which went down very well with the live audiences. Tracks, which Gary was planning to record and embellish, on his next studio project. A project that was ready to start when Gary returned from a short holiday break.”

 

 

 

 

 

 

 

” Unfortunately, that was not to be, as Gary passed away in his sleep in the early hours of February 6th, 2011, in Estepona, Spain. After being such a “force of nature” in the guitar-playing firmament, for many years, as part of a professional career that began when he was only 16. He leaves behind a huge hole for many, not just his close family and friends, but guitar fans around the world.”

 

 

 

 

 

 

 

 

 

” Of all the many tributes paid since Gary’s passing, maybe this one, from Gary’s friend and musical collaborator, Don Airey, might sum up the best of most people’s thoughts of Gary: “At the 1984 Donington Festival during the long solo in “Empty Rooms” the previously restive crowd went so quiet, you could hear a pin drop – everyone back and behind stage stopped whatever they were doing and just stood to listen open-mouthed. His artistry touched thousands of people over the years, not least those of us lucky enough to have shared a stage or a recording studio with him. Sleep tight old mate, you’ll be sorely missed.” “

 

 

 

 

 

 

Gary Moore


RIP


1952 – 2011

 

 

 

Discography

Albums

Grinding Stone

‎ ◄ (4 versions)

P.I. Records 1973

Gary Boyle Featuring: Gary MooreRobert Awhai*, Kenny Shaw* – Electric Glide ‎ ◄ (5 versions)

Gull 1978

Back On The Streets

‎ ◄ (14 versions)

MCA RecordsMCA RecordsMCA Records 1978

Corridors Of Power

‎ ◄ (18 versions)

Virgin 1982

Rockin’ Every Night – Live In Japan

‎ ◄ (10 versions)

Virgin 1983

Victims Of The Future

‎ ◄ (15 versions)

Virgin 1983

Live

‎ ◄ (2 versions)

Jet Records 1983

We Want Moore!

‎ ◄ (9 versions)

10 Records 1984

Dirty Fingers

‎ ◄ (13 versions)

Castle Classics 1984

We Want Moore!

‎ (LP, Album + 12″)

10 Records 1984

Run For Cover

‎ ◄ (12 versions)

10 Records 1985

G-Force (19) & Gary Moore – G-Force ‎ ◄ (7 versions)

VictoriaJet Records 1987

Live At The Marquee

‎ ◄ (10 versions)

Raw Power 1987

Wild Frontier

‎ ◄ (20 versions)

10 Records 1987

Phil CollinsGary MooreRod Argent – Wild Connections ‎ ◄ (5 versions)

Tring International PLC 1987

Don Airey Featuring: Gary MooreCozy PowellChris Thompson & Colin Blunstone – K2 (Tales Of Triumph & Tragedy) ‎ ◄ (4 versions)

MCA Records 1988

After The War

‎ ◄ (16 versions)

VirginVirgin 1989

Still Got The Blues

‎ ◄ (20 versions)

VirginVirgin 1990

Skid Row (2) Feat. Gary Moore – 34 Hours ‎ (CD, Album, RE)

Repertoire Records 1990

After Hours

‎ ◄ (11 versions)

VirginVirgin 1992

Blues Alive

‎ ◄ (9 versions)

VirginVirgin 1993

Blues For Greeny

‎ ◄ (5 versions)

Virgin 1995

Greg Lake Feat. Gary Moore – King Biscuit Flower Hour Presents Greg Lake In Concert ‎ (CD)

King Biscuit Flower Hour Records 1995

Dark Days In Paradise

‎ ◄ (3 versions)

Virgin 1997

A Different Beat

‎ ◄ (2 versions)

Raw Power 1999

Corridors Of Power / Run For Cover – The Back To Back Collection

‎ (2xCD, Album, RM, RE, Dig)

Axe Killer Records 2000

Back To The Blues

‎ (CD, Album)

Sanctuary Records 2001

Scars

‎ ◄ (4 versions)

Sanctuary Records 2002

Live At Monsters Of Rock

‎ ◄ (2 versions)

Sanctuary Records 2003

Power Of The Blues

‎ (CD, Album)

Sanctuary Records 2004

Old New Ballads Blues

‎ ◄ (3 versions)

Eagle Records 2006

Close As You Get

‎ ◄ (3 versions)

Eagle RecordsEagle Records 2007

Bad For You Baby

‎ ◄ (2 versions)

Eagle Records 2008

Essential Montreux

‎ (5xCD, Box)

Eagle RecordsEagle Records 2009

Live At Montreux 2010

‎ (CD, Album)

Eagle RecordsEagle Records 2011

Blues For Jimi

‎ ◄ (4 versions)

Eagle Records 2012

Gary Boyle Featuring: Gary MooreRobert Awhai*, Kenny Shaw* – Electric Glide ‎ (CD, Album, RE, RM)

Esoteric Recordings 2012

 

 

 

 

 

 

 

 

Concert Videos

Gary Moore – Live Blues (1993) Special guest B. B. King FULL CONCERT

Gary Moore – Avo Session

Gary Moore – Blues for greeny. complete

BBM (Bruce, Baker, Moore) – Live At Germany (1993)

[Complete] Gary Moore – Live At Monsters Of Rock (Sheffield Arena 2003)

GBD- Gary Moore Wild Frontier Tour 1987 (Isstadion Stockholm)

Gary Moore & The Midnight Blues Band – Live at Montreux 1990

Gary Moore playing for the last time – Guitarist Magazine

 

 

Interviews

Gary Moore – Interview 2004

Gary Moore interview by Tomi Lindblom (2004) / Finland

Gary Moore Interview – Re-released

Gary Moore VH 1 Interview 1994

 

 

 

Links, Fan Pages , Etc…

last.fm

Gary Moore | Facebook

The Lord Of The Strings – World Wide Gary Moore Fanclub

Gary Moore – Profile & Discography for Blues-Rock Guitarist Gary Moore

Gary Moore | Vintage Guitar® magazine

Gary Moore – Listen to Free Music by Gary Moore on Pandora …

iTunes – Music – Gary Moore – Apple

Gary Moore music – Listen Free on Jango || Pictures, Videos …

Gary Moore – Artist Details – Eagle Rock

GARY MOORE music discography with reviews and MP3

nolifetilmetal.com

gary-moore.net

 

 

 

 

Obituaries

Gary Moore – Telegraph – Telegraph.co.uk 

Gary Moore Obituary – London, England – Tributes.com

Gary Moore, former Thin Lizzy guitarist, dies aged 58 | Music …

Thin Lizzy Guitarist Gary Moore Dead at 58

Find A Grave

 

 

 

 

2002 ZZ TOP & GARY MOORE LIVE

 

 

 

 

Robert William Gary Moore

April 4th, 1952 – February 6th, 2011

Remembered today and everyday……

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 Happy Birthday Muddy

 

 

 

 

 

 

 

 

 

 

Early Life

 

” Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug’s Corner in neighboring Issaquena County in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians’ union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid-1940s, lists him as being born April 4, 1913. Muddy’s gravestone gives his birth year as 1915.” 

 

 

 

 

 

 

 

 

” Muddy’s grandmother, Della Grant, raised him after his mother died shortly following his birth. Della gave the boy the nickname “Muddy” at an early age because he loved to play in the muddy water of nearby Deer Creek. Muddy later changed it to “Muddy Water” and finally “Muddy Waters”.

The shack where Muddy Waters lived in his youth on Stovall Plantation is now located at the Delta Blues Museum in Clarksdale, Mississippi. He started out on harmonica, but by age seventeen he was playing the guitar at parties, emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson.[7][page needed]“

 

 

 

 

 

 

 

 

” On November 20, 1932, Muddy married Mabel Berry; Robert Nighthawk played guitar at the wedding, and the party reportedly got so wild the floor fell in. Mabel left Muddy three years later when Muddy’s first child was born; the child’s mother was Leola Spain, sixteen years old (Leola later used her maiden name Brown), “married to a man named Steven” and “going with a guy named Tucker”. Leola was the only one of his girlfriends with whom Muddy would stay in touch throughout his life; they never married. By the time he finally cut out for Chicago in 1943, there was another Mrs. Morganfield left behind, a girl called Sallie Ann.

 

 

 

 

 

 

 

 

Muddy Waters Official Website

 

“Growing to manhood there, in the very heart of the region that had spawned this magnificent music, Waters was drawn early to its stark, telling, expressive power. He had been working as a farm laborer for several years when at thirteen he took up the harmonica, the instrument on which many blues performers first master the music’s rudiments. Four years later he made the switch to guitar. “You see, I was digging Son House and Robert Johnson.”

 

 

 

 

 

 

 

 

” The two were the undisputed masters of the region’s characteristic “bottleneck” style of guitar accompaniment. With this technique the Delta bluesman could utilize the guitar as a perfect extension of his voice, the sliding bottleneck matching the dips, slurs, sliding notes and all the tonal ambiguity of the voice as it is used in singing the blues.Within a year, Waters recalled, he had mastered the bottleneck style and the jagged, pulsating rhythms of Delta guitar. He had learned to sing powerfully and expressively in the tightly constricted, pain-filled manner that characterized the best Delta singers.”

 

 

 

 

 

 

 

 

” By the time a team of Library of Congress field collectors headed by Alan Lomax visited and recorded Waters for the Library’s folksong archives in 1941 (they were looking for Robert Johnson at the time, unaware of his death three years earlier), returning to record him further the following year, he had had several years’ local performing experience behind him.Providing the musical impetus for dancers at rough-and-tumble back country dances, in juke joints, and at picnics, houseparties and other rural entertainments had sharpened the young bluesman’s vocal and instrumental abilities to a keen edge. The recordings show the strikingly distinctive power of the young Waters, both as singer and master of Delta bottleneck guitar.”

 

 

 

 

 

 

 

 

Britannica

” In 1943 Waters—like millions of other African Americans in the South who moved to cities in the North and West during the Great Migration from 1916 to 1970—relocated to Chicago. There he began playing clubs and bars on the city’s South and West sides while earning a living working in a paper mill and later driving a truck. In 1944 he bought his first electric guitar, which cut more easily through the noise of crowded bars. He soon broke with country blues by playing electric guitar in a shimmering slide style. In 1946 pianist Sunnyland Slim, another Delta native, helped Waters land a contract with Aristocrat Records, for which he made several unremarkable recordings. By 1948 Aristocrat had become Chess Records (taking its name from Leonard and Phil Chess, the Polish immigrant brothers who owned and operated it), and Waters was recording a string of hits for it that began with “I Feel Like Going Home” and “I Can’t Be Satisfied.” His early, aggressive, electrically amplified band—including pianist Otis Spann, guitarist Jimmie Rodgers, and harmonica virtuosoLittle Walter—created closely integrated support for his passionate singing, which featured dramatic shouts, swoops, and falsetto moans. His repertoire, much of which he composed, included lyrics that were mournful (“Blow Wind Blow,” “Trouble No More”), boastful (“Got My Mojo Working,” “I’m Your Hoochie Coochie Man”), and frankly sensual (the unusual 15-bar blues “Rock Me”). In the process Waters became the foremost exponent of modern Chicago blues.”

 

 

 

 

 

 

 

 

” Tours of clubs in the South and Midwest in the 1940s and ’50s gave way after 1958 to concert tours of the United States and Europe, including frequent dates at jazz, folk, and blues festivals. Over the years, some of Chicago’s premier blues musicians did stints in Waters’s band, including harmonica players James Cotton and Junior Wells, as well as guitarist Buddy Guy. Toward the end of his career, Waters concentrated on singing and played guitar only occasionally. A major influence on a variety of rock musicians—most notably the Rolling Stones (who took their name from his song “Rollin’ Stone” and made a pilgrimage to Chess to record)—Waters was inducted into the Rock and Roll Hall of Fame in 1987.”

 

 

 

 

 

 

 

 

Allmusic

 

” By the end of the ’50s, while Waters was still making fine music, his career was going into a slump. The rise of rock & roll had taken the spotlight away from more traditional blues acts in favor of younger and rowdier acts (ironically, Waters had headlined some of Alan Freed‘s early “Moondog” package shows), and Waters‘ first tour of England in 1958 was poorly received by many U.K. blues fans, who were expecting an acoustic set and were startled by the ferocity of Waters‘ electric guitar. Waters began playing more acoustic music informed by his Mississippi Delta heritage in the years that followed, even issuing an album titled Muddy Waters: Folk Singer in 1964. However, the jolly irony was that British blues fans would soon rekindle interest in Waters and electric Chicago blues; as the rise of the British Invasion made the world aware of the U.K. rock scene, the nascent British blues scene soon followed, and a number of Waters‘ U.K. acolytes became international stars, such as Eric Clapton,John MayallAlexis Korner, and a modestly successful London act who named themselves after Muddy‘s 1950 hit “Rollin’ Stone.”

 

 

 

 

 

 

 

 

” While Waters was still leading a fine band that delivered live (and included the likes of Pinetop Perkins on piano and James Cotton on harmonica), Chess Records was moving more toward the rock, soul, and R&B marketplace, and seemed eager to market him to white rock fans, a notion that reached its nadir in 1968 with Electric Mud, in which Waters was paired up with a psychedelic rock band (featuring guitarists Pete Cosey and Phil Upchurch) for rambling and aimless jams on Waters‘ blues classics. 1969’s Fathers and Sons was a more inspired variation on this theme, withWaters playing alongside reverential white blues rockers such as Mike Bloomfield and Paul Butterfield; 1971’s The London Muddy Waters Sessions was less impressive, featuring fine guitar work from Rory Gallagher but uninspired contributions from Steve WinwoodRick Grech, and Georgie Fame.”

 

 

 

 

 

” Curiously, while Chess Records helped Waters make some of the finest blues records of the ’50s and ‘60s, it was the label’s demise that led to his creative rebirth. In 1969, the Chess Brothers sold the label to General Recorded Tape, and the label went through a long, slow commercial decline, finally folding in 1975. (Waters would become one of several Chess artists who sued the label for unpaid royalties in its later years.) Johnny Winter, a longtime Waters fan, heard the blues legend was without a record deal, and was instrumental in getting Waters signed to Blue Sky Records, a CBS-distributed label that had become his recording home.”

 

 

 

 

 

 

 

 

 ” Winter produced the sessions for Waters‘ first Blue Sky release, and sat in with a band comprised of members of Waters‘ road band (including Bob Margolin and Willie “Big Eyes” Smith) along with James Cotton on harp and Pinetop Perkins on piano. 1977’s Hard Again was a triumph, sounding as raw and forceful as Waters‘ classic Chess sides, with a couple extra decades of experience informing his performances, and it was rightly hailed as one of the finest albums Waters ever made while sparking new interest in his music. (It also earned him a Grammy award for Best Traditional or Ethnic Folk Recording.) “

 

 

 

 

 

 

 

 

 

Rock Hall Of Fame

 

” Waters also capitalized on the folk-music craze of the late Fifties and early Sixties with a series of albums that found him assaying acoustic blues on such albums as Muddy Waters Sings Big Bill (a tribute to rural bluesman Big Bill Broonzy, released in 1960), Muddy Waters, Folk Singer (1964) and The Real Folk Blues (1966). Less successful were attempts to contemporize his sound with such ill-advised efforts as “Muddy Waters Twist” (a 1962 single) and Electric Mud (an album of psychedelic blues from 1968). More satisfying by far were a couple of albums – Fathers and Sons (1969) and The London Muddy Waters Sessions (1972) – that found Waters accompanied by such vanguard rock musicians as Mike Bloomfield and Eric Clapton. His thirty-year tenure with Chess Records ended in 1975 with the release of The Muddy Waters Woodstock Album. From here, he moved to the Blue Sky label (a Columbia subsidiary). “

 

 

 

 

 

 

 

 

” Waters’ audience grew exponentially following his electrifying performance in The Last Waltz, a film documentary (produced by Martin Scorsese) of The Band’s farewell concert. Staged at San Francisco’s Winterland ballroom, the Thanksgiving 1976 event was a star-studded affair. Water’s scalding rendition of “Mannish Boy” – on which he was accompanied by The Band and Paul Butterfield on harmonica – was an unforgettable highlight. Subsequent to that, he kept the momentum going with a series of uncompromising albums for Blue Sky that were produced by longtime fan Johnny Winter. These included Hard Again (1977), I’m Ready (1978), Muddy Mississippi Waters Live (1979) and King Bee (1981). All were critical and popular successes. “

 

 

 

 

 

” In addition to his musical legacy, Waters helped cultivate a great respect for the blues as one of its most commanding and articulate figureheads. Drummer Levon Helm of The Band, who worked with him on The Muddy Waters Woodstock Album and at The Last Waltz, had this to say about him in a Goldmine magazine interview: “Muddy taught us to take things in context, to be respectful, and to be serious about our music, as he was. He showed us music is a sacred thing.” 

 

 

 

 

 

 

” Waters, who remained active till the end, died of a heart attack in 1983. He was 68 years old. In the years since his death, the one-room cedar shack in which he lived on the Stovall Plantation has been preserved as a memorial to Waters’ humble origins”

 

 

 

 

Discography

 

Muddy Waters At Newport 1960

‎ ◄ (16 versions)

Chess 1960

Muddy Waters Sings “Big Bill”

‎ ◄ (7 versions)

Chess 1960

Folk Singer

‎ ◄ (16 versions)

Pye International 1964

Down On Stovall’s Plantation

‎ ◄ (4 versions)

Testament Records 1966

Muddy, Brass & The Blues

‎ ◄ (6 versions)

Chess 1966

More Real Folk Blues

‎ ◄ (7 versions)

Chess 1967

Bo DiddleyLittle WalterMuddy Waters – Super Blues ‎ ◄ (10 versions)

Checker 1967

Howlin’ WolfMuddy Waters & Bo Diddley – The Super Super Blues Band ‎ ◄ (8 versions)

CheckerChess 1967

Electric Mud

‎ ◄ (16 versions)

Cadet Concept Records 1968

After The Rain

‎ ◄ (6 versions)

Cadet Concept Records 1969

The Real Folk Blues

‎ ◄ (7 versions)

Chess 1969

Muddy Waters / Otis Spann / Michael Bloomfield* / Paul Butterfield / Donald “Duck” Dunn / Sam Lay – Fathers And Sons‎ ◄ (18 versions)

Chess 1969

Bo DiddleyLittle WalterMuddy Waters – Super Blues ‎ (LP, Album)

Bellaphon 1969

“Live” (At Mr. Kelly’s)

‎ ◄ (4 versions)

Chess 1971

“Live” (At Mr. Kelly’s)

‎ (LP)

Chess 1971

Back In The Early Days Volumes 1 And 2

‎ (2xLP)

Syndicate Chapter 1971

Rare Live Recordings Vol. 2

‎ (LP)

Python 1972

The London Muddy Waters Sessions

‎ ◄ (11 versions)

Chess 1973

Mud In Your Ear

‎ ◄ (2 versions)

Muse Records 1973

Can’t Get No Grindin’

‎ ◄ (6 versions)

Chess 1973

Muddy Waters & Howlin’ Wolf – London Revisited ‎ ◄ (2 versions)

Chess 1974

“Unk” In Funk

‎ ◄ (5 versions)

Chess 1974

The Muddy Waters Woodstock Album

‎ ◄ (6 versions)

Chess 1975

Hard Again

‎ ◄ (16 versions)

Blue Sky 1977

I’m Ready

‎ ◄ (13 versions)

Blue Sky 1978

Muddy “Mississippi” Waters Live

‎ ◄ (16 versions)

Blue Sky 1979

Mississippi

‎ (LP, Album)

Cleo 1980

King Bee

‎ ◄ (15 versions)

Blue Sky 1981

Rolling Stone

‎ ◄ (2 versions)

Chess 1982

Hoochie Coochie Man

‎ ◄ (2 versions)

Blue Sky 1983

B.B. King & Big Mama Thornton & Muddy Waters – Live At Newport ‎ ◄ (4 versions)

Blue Moon 1984

I Can’t Be Satisfied

‎ ◄ (2 versions)

Showcase 1985

Live In Paris, 1968

‎ (LP)

France’s Concert 1988

Live In Antibes, 1974

‎ (LP, Album)

France’s Concert 1988

Live

‎ (CD)

Roots (6) 1990

Live

‎ (LP)

Roots (6) 1990

Goin’ Home (Live In Paris 1970)

‎ ◄ (2 versions)

Last Call Records 1992

Chicago Blues

‎ ◄ (4 versions)

Orbis 1994

Otis Spann With Muddy Waters & His Band* – Live The Life ‎ (CD, Album)

Testament Records 1997

Live In Chicago, 1979

‎ (CD, Album)

Altaya 1997

Champion Jack Dupree / Muddy Waters – Me And My Mule ‎ (CD, Album)

TKO Collectors 1999

Country Blues

‎ (LP)

Past Perfect Silver Line 2000

The Lost Tapes

‎ (LP, 180)

Blind Pig Records 2008

Live / Fillmore Auditorium – San Francisco 11/04-06/1966

‎ ◄ (2 versions)

Chess 2009

Stepping Stone

‎ (CD, Mud + 2xCD, Rol + 3xCD, I’m + 4xCD, The + 5xDV)

Proper Records Ltd. 2009

Blow Blues Blow

‎ (CD, Album, Dig)

Music Avenue 2010

The Rough Guide To Blues Legends: Muddy Waters: Country Blues

‎ (LP, Ltd, RM, 180)

World Music Network 2011

Muddy Waters & Rolling Stones, The – Checkerboard Lounge, Live Chicago 1981 ‎ ◄ (5 versions)

Eagle Vision 2012

Down On Stovall’s Plantation

‎ (LP)

Doxy 2013

Hard Again

‎ (LP, Album)

Epic Unknown

 

 

 

 

 

 

 

 

Concert Videos

I Hear The Blues-Memphis Slim, Muddy Waters, Sonny Boy Williamson, Lonnie Johnson-Granada TV

Blues and Gospel Train – 1964 – Muddy Waters, Rosetta Tharpe, Sonny & Brownie, Cousin Joe Pleasants

Muddy Waters – Live At The Chicago Fest 1981

Messin’ With The Blues [live '74]

Johnny Winter & Muddy Waters Soundstage 1974

Muddy Waters Blues Summit in Chicago

Muddy.Waters.Live.68.-.78

 

 

 

Interviews

Muddy Waters Interview

 

 

Links , Fan Pages Etc…

Muddy Waters – Listen to Free Music by Muddy Waters on …

Muddy Waters Biography – Facts, Birthday, Life Story – …

iTunes – Music – Muddy Waters – Apple

Muddy Waters | Bio, Pictures, Videos | Rolling Stone

Muddy Waters – Profile of Chicago Blues Legend Muddy Waters

Free Music Online – Internet Radio – Jango

Muddy Waters – New World Encyclopedia

Trail of the Hellhound: Muddy Waters

Muddy Waters – wolfgangsvault.com

Muddy Waters, a Mississippi musician – Mississippi writers …

Muddy Waters | Facebook

Muddy Waters Historical Exhibit & Blues Tribute Website

Muddy Waters – NNDB: Tracking the entire world

Muddy Waters : NPR

Muddy Waters – Always Victorian

Muddy Waters – All About Jazz

LivinBlues- Muddy Waters

Muddy Waters Biography | Bluescentric – Blues t-shirts | delta …

Muddy Waters | Legacy Recordings

 

 

 

Obituaries

Muddy Waters, Blues Performer, Dies – The New York Times …

Meet McKinley Morganfield – Hattiesburg American | Hattiesburg …

Legends & Legacies | Notable Obituaries and Deaths in the News …

Rhythm and Blues 60s Oldies Man: News Obituaries

Muddy Waters Changed Music Forever With His Trip Up the Blues …

Blues Foundation Honors Muddy Waters With Blues Trail Marker …

 

 

 

 

 

 

 

 

Rest In Peace Muddy Waters 

 

 

 

 

 

 

 

 

 

—-

 Happy Birthday Eric

 

 

 

 

Early Life

 

” Eric Patrick Clapton was born in Ripley, Surrey, England, the son of 16-year-old Patricia Molly Clapton (b. 7 January 1929 d. March 1999) and Edward Walter Fryer (21 March1920 – 15 May 1985), a 25-year-old soldier from Montreal, Quebec.[10] Fryer shipped off to war prior to Clapton’s birth and then returned to Canada. Clapton grew up with his grandmother, Rose, and her second husband, Jack Clapp, who was stepfather to Patricia Clapton and her brother Adrian, believing they were his parents and that his mother was actually his older sister. The similarity in surnames gave rise to the erroneous belief that Clapton’s real surname is Clapp (Reginald Cecil Clapton was the name of Rose’s first husband, Eric Clapton’s maternal grandfather).[11] Years later, his mother married another Canadian soldier and moved to Germany,[12] leaving young Eric with his grandparents in Surrey.[13]

Clapton received an acoustic Hoyer guitar, made in Germany, for his thirteenth birthday, but the inexpensive steel-stringed instrument was difficult to play and he briefly lost interest.[13] Two years later Clapton picked it up again and started playing consistently.[13] Clapton was influenced by the blues from an early age, and practised long hours to learn the chords of blues music by playing along to the records.[14] He preserved his practice sessions using his portable Grundig reel-to-reel tape recorder, listening to them over and over until he felt he’d got it right.[14][15]

After leaving Hollyfield School, in Surbiton, in 1961, Clapton studied at the Kingston College of Art but was dismissed at the end of the academic year because his focus remained on music rather than art. His guitar playing was so advanced that by the age of 16 he was getting noticed.[15] Around this time Clapton began busking aroundKingstonRichmond, and the West End.[16] In 1962, Clapton started performing as a duo with fellow blues enthusiast David Brock in pubs around Surrey.[15] When he was seventeen years old Clapton joined his first band, an early British R&B group, “The Roosters”, whose other guitarist was Tom McGuinness. He stayed with this band from January through August 1963.[17] In October of that year, Clapton did a seven-gig stint with Casey Jones & The Engineers.[17] “

 

 

 

 

 

 

Further On Up The Road

” By the time Eric Clapton launched his solo career with the release of his self-titled debut album in mid-1970, he was long established as one of the world’s major rock stars due to his group affiliations — the YardbirdsJohn Mayall’s BluesbreakersCream, and Blind Faith — which had demonstrated his claim to being the best rock guitarist of his generation. That it took Clapton so long to go out on his own, however, was evidence of a degree of reticence unusual for one of his stature. And his debut album, though it spawned the Top 40 hit “After Midnight,” was typical of his self-effacing approach: it was, in effect, an album by the group he had lately been featured in, Delaney & Bonnie & Friends.

Not surprisingly, before his solo debut had even been released, Claptonhad retreated from his solo stance, assembling from the D&B&F ranks the personnel for a group, Derek & the Dominos, with whom he played for most of 1970 and recorded the landmark album Layla and Other Assorted Love SongsClapton was largely inactive in 1971 and 1972, due to heroin addiction, but he performed a comeback concert at the Rainbow Theatre in London on January 13, 1973, resulting in the album Eric Clapton’s Rainbow Concert (September 1973). But Claptondid not launch a sustained solo career until July 1974, when he released461 Ocean Boulevard, which topped the charts and spawned the number one single “I Shot the Sheriff.” “

 

 

 

 

 

 

 

Rock Hall Of Fame Bio

 

” A January 1973 comeback concert at London’s Rainbow Theatre re-introduced him to public performing, but his solo career really commenced in earnest a year later with 461 Ocean Boulevard. Recorded in Miami, it was influenced by the mellower likes of J.J. Cale and Bob Marley. Striking a chord with the public, 461 Ocean Boulevard topped the album charts in 1974. Meanwhile, Clapton’s cover of “I Shot the Sheriff,” originally by Bob Marley and the Wailers, helped introduced reggae to a mass audience. Working with a steady band that included guitarist George Terry, Clapton pursued a mellow, song-oriented course that accentuated his husky, laid-back vocals. His Seventies output, including such albums as There’s One in Every Crowd (1975) and No Reason to Cry (1976) has been largely underrated and is ripe for rediscovery. Clapton again struck commercial paydirt in 1977 with Slowhand, a strong set that included Clapton’s definitive version of J.J. Cale’s “Cocaine” and the #3 hit “Lay Down Sally.”

Clapton remained a prolific artist throughout the Eighties, releasing a live double album that reached #2 (Just One Night), cutting two albums (Behind the Sun and August) with Phil Collins as producer, and launching his own label, Duck Records, in 1983, with one of his stronger studio efforts, Money and Cigarettes. In January 1987, he undertook the first of what would become an annual series of multi-night stands at London’s Royal Albert Hall. In 1992, his career received a major boost from his appearance on MTV’s Unplugged series. Returning to his roots on the heels of that acoustic folk-blues set, Clapton next cut a long-promised blues album, From the Cradle (1994). Throughout the Nineties, he continued to amass hits–no mean feat, given the shifting musical climate–including “Tears in Heaven,” a memorable elegy for his late son Conor; “Change the World,” a beatbox-driven collaboration with R&B artist/producer Babyface that won a Grammy for Record of the Year; and “My Father’s Eyes,” a ballad from his 1998 album Pilgrim.”

 

 

 

 

 

 

last.fm

 

“ Tears in Heaven” was written after his son’s tragic death. It was co-written with Russ Titelman and acknowledged with a Grammy in 1993.


Most recently, Eric Clapton has organized a benefit concert in honor of Hubert Sumlin, the great bluesman, to take place at the Apollo Theater in New York on February 24, 2012. He will be joined by Jeff Beck, Keb Mo, Levon Helm, and Derek Trucks among others. Clapton is known to sponsor an array of charitable events and concerts. He has also established a rehabilitation clinic in Monserrat to help those with substance abuse problems.

‘Clapton’ was released on September 27, 2010 by Reprise.

A live album titled Play The Blues Live At Lincoln Center performed with Wynton Marsellis was released on September 13, 2011 by Reprise.

Early 2013 saw the release of ‘Old Sock’, an album of 10 cover songs and two new originals, which was met with mixed reviews, some saying that it was lazy and unnecessary (“little commitment to the music here and even less enthusiasm”) whilst others appreciated the mastery he still exhibits over his craft (“winding down a legendary career with his typical class, reverence to the past and master’s touch”).

Eric Clapton is highly regarded as a premier musician, and continues to remain a force in music today.”

 

 

 

 

ERIC CLAPTON DISCOGRAPHY

 

 Concert Videos

Happy Birthday Eric . Thank You

 

Further Reading

 

Eric Clapton- NPR

MTV

Eric Clapton – IMDb

Eric Clapton on Yahoo! Music

Where’s Eric | The Eric Clapton Fan Club Magazine

Eric-Clapton – The Unofficial Website

Eric Clapton |  Rolling Stone

Eric Clapton –  on Pandora 

Rock On The Net: Eric Clapton

 

 

 

 

 

 

 

 

Walter Is Currently Hospitalized & In Urgent Need Of A Liver Transplant!

 

 

 

 

 

 

” Walter has been battling severe liver disease bravely for the past many months. He has continued touring and recording until a few weeks ago – he loves playing for people, and it has been the best medicine for him.

  We were given hope that medicinal treatment could reverse his condition but we now know that this hasn’t worked. His liver has failed, and doctors say his survival depends on receiving a transplant. 

  He is at UCLA in and out of Intensive Care, which is a prime facility for liver transplants. Walter has health insurance but this will not cover the full cost of his treatment. The medical expenses, co-pay, medication, after-care, etc. are going to be immense.

  • Walter will need to cancel much of the tour planned for 2014 leaving him and his family with little income.
  • By helping support this effort, you can help give Walter peace of mind and focus solely on his health and recovery before, during and after the transplant.
  • The timeline is uncertain at this point. Waiting for a suitable liver donor in the hospital can be a lengthy and costly process of many weeks or even months.
  • There will be considerable cost for rehabilitation, re-training and physical therapy post-surgery

Quote From Walter’s Wife Marie:

” Thank you for coming here and sending your love towards Walter. It means the world to him and to me to feel surrounded with your love and prayers at this difficult time. Walter has lost 100 pounds and most of his muscle tissue in the past year, and suffered much pain. It has been heart wrenching to watch him go through this. He has tried to put on a brave face for us all – he has kept playing, composing, singing, touring, and recording because music and communicating through music has always been his life line.. But he has reached the point, where he is too sick to stand up or even hold a guitar. Thank you again on Walter’s behalf for your love and support.”

What Happens When You Donate?

  Any funds will go straight to helping Walter with his medical expenses offering him and his family some help offsetting the many expenses related to this situation. Walter has been given a great prognosis for a full recovery. He should be able to withstand the massive operation. Walter wants to stay alive and be with his wife and three sons (ages 20,18 and 12). We all want him to also keep playing music for decades to come once his new liver is implanted and settled. Doctors say that Walter’s lungs, kidneys and heart are all in great condition, so once a new liver is in there, he is expected to make a full recovery. You will own a little piece of this success every time Walter takes to the stage in years to come when you help support this effort. Walter’s wife Marie will be posting updates on his condition. To recevie these please subscribe by selecting the “subscribe to updates” option directly under the blue “give now” button. 

If you cannot donate at this time, you can still help by:

  • Sharing this campaign.

  • Keeping Walter in your prayers. Send some positive and healing thoughts to Walter and his family. 

  •   If you sign up on Walter’s regular mailing list, we will keep you posted with updates on information regarding Walter’s music right to your inbox. You can sign up here

 

From Kirby:

  Thanks for visiting this page. My name is Kirby and I am a personal friend of Walter’s family. I have set up this campaign on behalf of the Trout family to help provide financial support during this extremely difficult time. All money donated goes directly into Walters bank account (minus minimal fees).

 
   Walter has mentored my husband, Danny Bryant and been his ‘musical father’ since Danny was just 15 years old. The kindness and continued support he has shown us all over the years is indescribable. I simply don’t know anyone else in the world like him!  Thanks for your help and support.”
The donation page is here . Please help Walter if you can .

 

Hurricane Katrina Benefit Concert

Three Giants 

 

 

 

Three Masters At Work

 

 

 

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Two Masters At Work

The Master At Work

 

 

 

Jeff Beck Group Live Doing “Going Down”

 

 

 

 

 

Uploaded on Jun 29, 2007

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Larry and Robben perform “Cold Cold” live in Osaka, Japan.”

 

 

 

 

 

 

 

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