Bill Evans & Robben Ford

 

 

 

 

 

 

 

Published on Mar 20, 2013

” Copyrights: BMG Rights Management
Bill Evans & Robben Ford – Soulgrass meets Blues, Miles & Beyond
(Estival Jazz Lugano 2010)
1. Lateral Climb
2. Cool Eddie
3. Don’t Worry ’bout Me
4. Oasis
5. Celtic Junction
6. Don’t Let The Sun Catch You Crying
7. Sweet Tea
8. Supernatural
9. Ode To The Working Man
10. Spoonful
Robben Ford – guitar
Bill Evans – saxophone
Etienne Mbappe – bass
Ryan Cavanaugh – banjo
Toss Panos – drums “

 

 

 

 

 

 

 

 

 

 

Brad Stine – Satan’s Everywhere

 

 

 

—-

Koch Bump: How Will Billionaire Brothers Affect The 2016 Race?

 

 

 

Published on Apr 22, 2015

” On this episode of the Rundown, John Phillips, Scott Ott, and Stephen Kruiser discuss whether the Koch Brothers are supporting the Wisconsin Governor Scott Walker in the Republican primary.”

 

 

 

 

 

 

 

 

Concealed Carry Holder Saves Elderly Man From Beating In Kroger Parking Lot

 

 

Screen Shot 2015-04-26 at 7.42.01 AM

 

 

” The folks at Moms Demand Action believe that Kroger is somehow a magical space where nothing bad ever happens, and ridicules anyone who thinks that they should be allowed to carry a concealed handgun on the premises. Time and again their fantasy has been patently disproven, but this time there’s a twist. At a Kroger in Arkansas this past Wednesday, an elderly man was being savagely beaten by seven people. One man, armed with a concealed handgun, decided to step in and try to save that man’s life. This is the true story of how a concealed handgun at Kroger saved lives.

  From Ozarks First:

  The 24-year-old says when he was leaving the grocery store he saw something he couldn’t ignore. “I saw seven people against one guy and I did not like those odds.”

  The out numbered man was elderly so Gene felt obligated to get involved. “Throw down, step to the side, draw, then up.”

  With the gun drawn the attackers turned their attention. “They kept yelling this isn’t your fight, you need to walk away you need to put the gun down,” Gene says.”

 

Read the rest at TheTruth About Guns

 

 

 

 

 

 

 

 

 

Trevor Noah – Obama Joke

 

 

 

 

Unreasonable Suspicion – Death In Police Custody

 

 

Published on Apr 25, 2015

” In Baltimore, a man looks at police then runs. Later, after a short time in police custody, his spine is 80% severed. He then dies. Police claim no excessive force. Shepard Smith, Trace Gallagher, Judge Andrew Napolitano. http://www.LibertyPen.com “

 

 

 

 

 

 

 

 

Happy 100th Birthday Johnny Shines  JB Hutto & Ma Rainey

 

Ma Rainey

 

 

 

 

Biography

 

” Ma Rainey wasn’t the first blues singer to make records, but by all rights she probably should have been. In an era when women were the marquee names in blues, Rainey was once the most celebrated of all; the “Mother of the Blues” had been singing the music for more than 20 years before she made her recording debut (Paramount, 1923). With the advent of blues records, she became even more influential, immortalizing such songs as “See See Rider,” “Bo-Weavil Blues,” and “Ma Rainey’s Black Bottom.” Like the other classic blues divas, she had a repertoire of pop and minstrel songs as well as blues, but she maintained a heavier, tougher vocal delivery than the cabaret blues singers who followed.Rainey‘s records featured her with jug bands, guitar duos, and bluesmen such as Tampa Red and Blind Blake, in addition to the more customary horns-and-piano jazz-band accompaniment (occasionally including such luminaries as Louis Armstrong, Kid Ory, and Fletcher Henderson).

  Born and raised in Columbus, Georgia, Ma Rainey (born Gertrude Pridgett) began singing professionally when she was a teenager, performing with a number of minstrel and medicine shows. In 1904, she married William “Pa” Rainey and she changed her name to “Ma” Rainey. The couple performed as “Rainey and Rainey, Assassinators of the Blues” and toured throughout the south, performing with several minstrel shows, circuses, and tent shows. According to legend, she gave a young Bessie Smith vocal lessons during this time. By the early ’20s, Rainey had become a featured performer on the Theater Owners’ Booking Association circuit.” Continue reading

 

Discography

More videos

 

 

 

 

J B Hutto

 

 

 

 

 

Biography

 

” J.B. Hutto — along with Hound Dog Taylor — was one of the last great slide guitar disciples of Elmore James to make it into the modern age. Hutto‘s huge voice, largely incomprehensible diction, and slash-and-burn playing was Chicago blues with a fierce, raw edge all its own. He entered the world of music back home in Augusta, GA, singing in the family-oriented group the Golden Crowns Gospel Singers. He came north to Chicago in the mid-’40s, teaching himself guitar and eventually landing his first paying job as a member of Johnny Ferguson & His Twisters. His recording career started in 1954 with two sessions for the Chance label supported by his original combo the Hawks (featuring George Mayweather on harmonica, Porkchop Hines on washboard traps, and Joe Custom on rhythm guitar), resulting in six of the nine songs recorded being issued as singles to scant acclaim. After breaking up the original band, Hutto worked outside of music for a good decade, part of it spent sweeping out a funeral parlor! He resurfaced around 1964 with a stripped-down version of the Hawks with two guitars and drums but no bass, working regularly at Turner’s Blue Lounge and recording blistering new sides for the first time in as many years.” Continue reading

 

 

Discography

More videos

 

 

 

 

 

 Johnny Shines

 

 

 

 

 

 

Biography

 

” Best known as a traveling companion of Robert Johnson, Johnny Shines‘ own contributions to the blues have often been unfairly shortchanged, simply because Johnson‘s own legend casts such a long shadow. In his early days, Shines was one of the top slide guitarists in Delta blues, with his own distinctive, energized style; one that may have echoed Johnson‘s spirit and influence, but was never a mere imitation. Shines eventually made his way north to Chicago, and made the transition to electrified urban blues with ease, helped in part by his robust, impassioned vocals. He was vastly under-recorded during his prime years, even quitting the music business for a time, but was rediscovered in the late ’60s and recorded and toured steadily for quite some time. A 1980 stroke robbed him of some of his dexterity on guitar, but his voice remained a powerfully emotive instrument, and he performed up until his death in 1992.

  John Ned Shines was born April 26, 1915, in Frayser, TN, and grew up in Memphis from the age of six. Part of a musical family, he learned guitar from his mother, and as a youth he played for tips on the streets of Memphis with several friends, inspired by the likes of Charley Patton, Blind Lemon Jefferson, Lonnie Johnson, and the young Howlin’ Wolf. In 1932, he moved to Hughes, AR, to work as a sharecropper, keeping up his musical activities on the side; in 1935, he decided to try and make it as a professional musician. Shines had first met Robert Johnson in Memphis in 1934, and he began accompanying Johnson on his wanderings around the Southern juke-joint circuit, playing wherever they could find gigs; the two made their way as far north as Windsor, Ontario, where they appeared on a radio program. After around three years on the road together — which made Shines one of Johnson‘s most intimate associates, along with Johnson‘s stepson Robert Jr. Lockwood — the two split up in Arkansas in 1937, and never saw each other again before Johnson‘s death in 1938.” Continue reading

 

 

Discography

More videos

 

 

 

 

 

 

 

 

 

 

 

Hillary Clinton Worst President For America

 

 

 

Happy Birthday Albert King*

 

 

 

 

 

 

 

* See our proper tribute Happy Birthday Albert King

 

 

 

 

 

 

 

 

 

 

 

John Heffron – Dangerous Things Our Parents Let Us Do

 

 

Published on Aug 31, 2012

” Clip of @johnheffron Check out the Heffron and Reep podcast subscribe its what all the cool people do. http://bit.ly/NSBNC1
John Heffron On itunes http://itunes.apple.com/us/album/the-… “

 

 

 

 

 

 

 

 

 

Military Lied! Jade Helm Is Training To Kill Americans Who Resist

 

 

Published on Apr 18, 2015

” Footage out of California shows armed National Guard troops patrolling residential streets and practicing traffic control.Helicopters and tanks “scare” residents in Texas ahead of the Jade Helm military exercises, and American protesters are referred to as “enemy forces” and “adversaries” in National Guard documents.
http://www.infowars.com/documents-nat… “

 

 

 

 

 

 

 

 

Happy Birthday Albert King

 

 

 

 

 

Wiki Bio

 

” One of the “Three Kings of the Blues Guitar” (along with B.B. King and Freddie King), Albert King stood 6 ft 4 in (1.93 m) (some reports say 6 ft 7 in (2.01 m)) and weighed 250 pounds (110 kg) and was known as “The Velvet Bulldozer”. He was born Albert Nelson on a cotton plantation in Indianola, Mississippi. During his childhood he would sing at a family gospel group at a church where his father played the guitar. One of 13 children, King grew up picking cotton on plantations near Forrest City, Arkansas, where the family moved when he was eight.”

 

 

 

” He began his professional work as a musician with a group called In The Groove Boys in Osceola, Arkansas. Moving north to Gary, Indiana and later St. Louis, Missouri, he briefly played drums for Jimmy Reed‘s band and on several early Reed recordings. Influenced by blues musicians Blind Lemon Jefferson and Lonnie Johnson, the electric guitar became his signature instrument, his preference being the Gibson Flying V which he named “Lucy”. King earned his nickname “The Velvet Bulldozer” during this period as he drove one of them and also worked as a mechanic to make a living.”

 

 

 

” King moved to Gary, Indiana in the early 1950s, then to Chicago in 1953 where he cut his first single for Parrot Records, but it was only a minor regional success. He then went back to St. Louis in 1956 and formed a new band. During this period, he settled on using the Flying V as his primary guitar. He resumed recording in 1959 with his first minor hit, “I’m a Lonely Man,” written by Little Milton, who was Bobbin Records A&R man, a fellow guitar hero, and responsible for King’s signing with the label.”

 

 

 

 

albertking

 

 

 

AllMusic Bio

 

” Albert King is truly a “King of the Blues,” although he doesn’t hold that title (B.B. does). Along with B.B. and Freddie KingAlbert King is one of the major influences on blues and rock guitar players. Without him, modern guitar music would not sound as it does — his style has influenced both black and white blues players from Otis Rush and Robert Cray to Eric Clapton and Stevie Ray Vaughan. It’s important to note that while almost all modern blues guitarists seldom play for long without falling into a B.B. King guitar cliché, Albert King never does — he’s had his own style and unique tone from the beginning.”

 

 

 

” Albert King plays guitar left-handed, without re-stringing the guitar from the right-handed setup; this “upside-down” playing accounts for his difference in tone, since he pulls down on the same strings that most players push up on when bending the blues notes. King‘s massive tone and totally unique way of squeezing bends out of a guitar string has had a major impact. Many young white guitarists — especially rock & rollers — have been influenced by King‘s playing, and many players who emulate his style may never have heard of Albert King, let alone heard his music. His style is immediately distinguishable from all other blues guitarists, and he’s one of the most important blues guitarists to ever pick up the electric guitar.”

 

 

 

 

 

 

” Albert King left Bobbin in late 1962 and recorded one session for King Records in the spring of 1963, which were much more pop-oriented than his previous work; the singles issued from the session failed to sell. Within a year, he cut four songs for the local St. Louis independent label Coun-Tree, which was run by a jazz singer named Leo Gooden. Though these singles didn’t appear in many cities — St. Louis, Chicago, and Kansas City were the only three to register sales — they foreshadowed his coming work with Stax Records. Furthermore, they were very popular within St. Louis, so much so that Gooden resented King‘s success and pushed him off the label.”

 

 

 

” Following his stint at Coun-Tree, Albert King signed with Stax Records in 1966. Albert‘s records for Stax would bring him stardom, both within blues and rock circles. All of his ’60s Stax sides were recorded with the label’s house band, Booker T. & the MG’s, which gave his blues a sleek, soulful sound. That soul underpinning gave King crossover appeal, as evidenced by his R&B chart hits — “Laundromat Blues” (1966) and “Cross Cut Saw” (1967) both went Top 40, while “Born Under a Bad Sign” (1967) charted in the Top 50. Furthermore, King‘s style was appropriated by several rock & roll players, most notably Jimi Hendrix and Eric Clapton, who copied Albert‘s “Personal Manager” guitar solo on the Cream song, “Strange Brew.” Albert King‘s first album for Stax, 1967’s Born Under a Bad Sign, was a collection of his singles for the label and became one of the most popular and influential blues albums of the late ’60s. Beginning in 1968, Albert King was playing not only to blues audiences, but also to crowds of young rock & rollers. He frequently played at the Fillmore West in San Francisco and he even recorded an album, Live Wire/Blues Power, at the hall in the summer of 1968.”

 

 

 

” Early in 1969, King recorded Years Gone By, his first true studio album. Later that year, he recorded a tribute album to Elvis Presley (Blues for Elvis: Albert King Does the King’s Things) and a jam session with Steve Cropper and Pops Staples (Jammed Together), in addition to performing a concert with the St. Louis Symphony Orchestra. For the next few years, Albert toured America and Europe, returning to the studio in 1971, to record the Lovejoy album. In 1972, he recorded I’ll Play the Blues for You, which featured accompaniment from the Bar-Kaysthe Memphis Horns, and the Movement. The album was rooted in the blues, but featured distinctively modern soul and funk overtones.”

 

 

 

 

 

Rock & Roll Hall Of Fame Bio

 

” In 1969, King performed live with the St. Louis Symphony Orchestra, forming what was called an “87-piece blues band.” During the early Seventies, he recorded the album Lovejoy with a group of white rock singers and an Elvis Presley tribute album, Albert King Does the King’s Things. King continued to tour throughout the Seventies, and in June 1970, he joined the Doors onstage at a show in Vancouver, Canada.”

 

 

 

” King’s sound underwent a major change in the Seventies, as he teamed up with the Bar-Kays and the Memphis Horns on the albums I’ll Play the Blues for You and I Wanna Get Funky. That partnership gave his music a much funkier sound than it had on his earlier recordings, and the former album’s title track became one of his signature songs. King also worked with Allen Toussaint and some of the Meters during this period.”

 

 

 

 

 

Cascade Blues Bio

 ”  If the annals are ever logged as to who the most influential guitar greats of all time were, then there would be no question regarding the inclusion of the three “Kings” of the Blues: B.B.Freddie and Albert. There is little doubt of the impact that each of these artists brought to the future sounds of Blues, Soul and Rock ‘n’ Roll. Albert King was a master of the single-string attack and was intrigued by Blues performers that he heard while growing up outside of Memphis. In turn, he influenced a new generation of guitar players that would include the likes of Jimi HendrixEric Clapton and Stevie Ray Vaughan.”

”  On February 1, 1968, Albert King shared a bill that included John Mayall and Jimi Hendrix for opening night at a new venue in San Francisco called The Fillmore Auditorium. This popular music hall would become a second home for King, and later that same year he returned to record a live album “Live Wire / Blues Power” became one of the best-selling Live Blue! recordings ever and helped establishKing’s career further. Two other albums were released in the early 1990s that were taped during these same performances (“Wednesday Night In San Francisco: Recorded Live At The Fillmore Auditorium” and “Thursday Night In San Francisco…”  Though weaker than the original both serve as true testaments to the talents of Albert King’s guitar.”

” King continued to record with Stax, until the demise of the label in the mid-1970s. The output of this period included some strange mixtures for a Blues musician. In 1969, Albert became the first Blues performer to perform with a symphony orchestra in a concert that teamed him with the St. Louis Symphony. He recorded the album “Lovejoy “at Muscle Shoals with white Southern rockers and even released a tribute album to Elvis Presley, “Blues For Elvis: Albert King Does The King’s Things“. There was even an appearance on a comedy LP by Albert Brooks, “A Star Is Bought“. After Staxfolded, King would record for a number of labels that would include TomatoUtopia and Fantasy, until he decided to retire in the mid-1980s. Though Albert King had given up on recording, he still managed to find time to perform. He made cameo appearances on albums by up-coming Bluesmen like Chris Cain (“Cuttin’ Loose“) and Gary Moore (“Still Got The Blues“). He also made frequent stops at Blues festivals around the world, continuing to influence new generations of guitarists including Stevie Ray Vaughan and Robert Cray.”

” King played his final concert in Los Angeles on December 19, 1992. He died two days later at home in Memphis after suffering a sudden heart attack. After his funeral, a procession was led down Beale Street in a true New Orleans-style Jazz tradition, as the hearse bearing King’s body was led by the Memphis Horns playing “When The Saints Go Marching In“. King was laid to rest across the Mississippi River in the Paradise Gardens Cemetery in Edmondson, Arkansas, not far from where he spent his childhood.”   

“Albert King has been honored by The Blues Foundation with his induction into their Hall of Fame. Both “Born Under A Bad Sign” and “Live Wire / Blues Power” are also honored as Classics of Blues Recordings. But, the real honor for King is the love and everlasting respect that so many of his peers have given him. Stevie Ray Vaughan would call him “Daddy” and John Lee Hooker named him as one of his all-time favorite guitarists. Michael Bloomfield once said, “Albert can take four notes and write a volume. He can say more with fewer notes than anyone I’ve ever known.”  B.B. King stated in his autobiography “He wasn’t my brother in blood, but he sure was my brother in Blues.”  Albert King’s legend will live on.  Every time a Blues or Rock combo is on stage, in an arena or small nightclub, or just playing in their garage and grinds into “Born Under A Bad Sign” or “Crosscut Saw“, his influence will be shining true.”

 

 

 

” King died on December 21, 1992 from a heart attack in his Memphis, Tennessee home. His final concert had been in Los Angeles two days earlier. He was given a funeral procession with the Memphis Horns playing “When The Saints Go Marching In” and buried in Edmondson, Arkansas near his childhood home. B.B. King eulogized him by stating “Albert wasn’t my brother in blood, but he was my brother in blues.”

On December 11th, 2012, it was announced that King would be posthumously inducted into the 2013 Rock and Roll Hall of Fame. “

 

 

 

 

 Albert Nelson King

 

    Apr. 25, 1923-Dec. 21, 1992

 

 

 

Discography

Albums

Born Under A Bad Sign

‎ ◄ (12 versions)

Stax

1967

 

Live Wire / Blues Power

‎ ◄ (11 versions)

Stax

1968

 

Albert King , Steve Cropper & Pops Staples – Jammed Together ‎ ◄ (5 versions)

Stax

1969

 

King Of The Blues Guitar

‎ ◄ (6 versions)

Atlantic

1969

 

Years Gone By

‎ ◄ (6 versions)

Stax

1969

 

King Does The King’s Thing

‎ ◄ (6 versions)

Stax

1969

 

Lovejoy

‎ ◄ (3 versions)

Stax

1971

 

I’ll Play The Blues For You

‎ ◄ (9 versions)

Stax

1972

 

I Wanna Get Funky

‎ ◄ (4 versions)

StaxStax

1974

 

Albert King / Chico Hamilton / Little Milton – Montreux Festival ‎ ◄ (3 versions)

Stax

1974

 

Travelin “To California

‎ ◄ (3 versions)

King Records (3)

1976

 

Truckload Of Lovin’

‎ ◄ (8 versions)

Utopia (2)

1976

 

Albert Live

‎ ◄ (4 versions)

Utopia (2)

1977

 

The Pinch

‎ ◄ (5 versions)

StaxEMI

1977

 

King Albert

‎ ◄ (5 versions)

Tomato

1977

 

Albert

‎ ◄ (5 versions)

Tomato

1978

 

New Orleans Heat

‎ ◄ (8 versions)

Tomato

1978

 

San Francisco ’83

‎ ◄ (3 versions)

Fantasy

1983

 

I’m In A Phone Booth Baby

‎ (LP)

Fantasy

1984

 

The Lost Session

‎ ◄ (3 versions)

Stax

1986

 

Blues At Sunrise

‎ ◄ (3 versions)

Stax

1988

 

Thursday Night In San Francisco

‎ ◄ (3 versions)

Stax Records

1990

 

Wednesday Night In San Francisco

‎ ◄ (2 versions)

Stax

1990

 

Red House

‎ (LP, Album)

Essential

1991

 

Crosscut Saw – Albert King In San Francisco

‎ (CD, RM)

Stax

1992

 

Mean, Mean Blues

‎ (Cass, Album)

Highland Music

1993

 

Albert King With Stevie Ray Vaughan – In Session ‎ ◄ (9 versions)

Stax

1999

 

Live 69

‎ (CD, Album)

Tomato

2003

 

Talkin’ Blues

‎ (CD)

Thirsty Ear

2003

 

The Big Blues

‎ (LP, Album, RE)

Sundazed Music

2012

 

Live At The Blues Festival

‎ (LP, Album)

Links

100 GREATEST GUITARISTS

MTV Biography

Albert King: inducted in 2013 | The Rock and Roll Hall of Fame …

Albert King, Mississippi Blues musician – Mississippi writers …

Albert King | Bio, Pictures, Videos | Rolling Stone

Albert King – Profile and Biography of Blues Guitarist Albert King …

Albert King Biography – Musician Biographies

Videos

Wattstax (1973)

Albert King – Live 1/7/78 Full Show

Albert King – Maintenance Shop Blues (Live 1981)

John Mayall’s Bluesbreakers 1982 Jam With Albert King , Etta James …

Stevie Ray Vaughan & Albert King in session 1983

Albert King & Stevie Ray Vaughan — In Session 2010 1983

B.B. King & Albert King – Japan Blues Carnival 1989

Albert King / Canned Heat Aussie Tour 1990

LiveLeak.com – Rock and Roll Hall of Fame – ALBERT KING

Interviews

Albert King – Interview

Albert King – Interview 2

Greg Koch On Meeting Albert King • Wildwood Guitars Story

 

 

 

Music

Albert King – King Albert Vinyl Records, CDs and LPs

iTunes – Music – Albert King – Apple

Albert King on Spotify

Amazon.com: Albert King

Albert King – Listen to Free Music on Pandora …

 

 

 

 

 

 

 

 

 

 

 

Mob Of Teenagers Beats Two High School Students In Philadelphia Subway Station

 

 

 

 

 

 

” A security video showing a mob of students brutally beating two high schoolers in a Philadelphia subway station on Tuesday is being investigated by the city’s transportation officers.

“ It’s an outrageous event. This is so dangerous, it’s not even funny,” Southeastern Pennsylvania Transportation Authority Police Chief Thomas J. Nestel III told Philly.com.

“ We have operating trains down there. There are passengers waiting for the train … it’s horrendous.”

  The video, which was time-stamped around 3:15 p.m., shows about a dozen teenagers either participating in a one-minute assault on two male students, or cheering it on.”

 

NY Daily News

 

 

 

 

 

 

 

 

 

The Armenian Genocide Explained

 

 

 

 

 

 

 

” The 100th anniversary of the massacre of Armenians under the Ottoman Empire will be commemorated on April 24, and Pope Francis recently referred to it officially as “the first genocide of the 20th century.”

  The mass killings, which began in 1915, have long been a topic of controversy between Turkey and Armenia.

  To Armenians, the slaughter is a seminal event in their shared history, and members of the community, including Kim Kardashian, are doing their best to draw attention to the estimated 1.5 million lives lost.

  Turkey acknowledges that atrocities took place, although it maintains that the death toll was closer to 300,000 and rejects the term genocide entirely. By definition, the term genocide means a premeditated and systematic attempt to eradicate an ethnic, racial or religious group of people. Turkey argues that the deaths were an unfortunate part of a complicated war in which many Turkish lives were also lost.

  But how did this violence come about?

  The historic Kingdom of Armenia was the first nation to declare Christianity as its official religion. In the 15th century, it was progressively absorbed into the Muslim-ruled Ottoman Empire. Even though Armenians were granted few political or legal rights, they were allowed a degree of autonomy. Maintaining their religious and social identity, the Armenians thrived for centuries.”

 

 

Here are some facts regarding the start of 20th century Jihad:

 

 

 

 

 

 

 

    The Armenian genocide was , as the Pope says the 20th century’s first genocide , but it was also the 20th century’s first instance of Jihad . The Armenians were Christians , the Turks were/are Muslims . Remember that as you read the rest .

 

 

 

 

 

 

 

 

 

 

 

 

 

Exclusive: Clinton Charities Will Refile Tax Returns, Audit For Other Errors

 

 

 

 

 

 

” Hillary Clinton’s family’s charities are refiling at least five annual tax returns after a Reuters review found errors in how they reported donations from governments, and said they may audit other Clinton Foundation returns in case of other errors.

  The foundation and its list of donors have been under intense scrutiny in recent weeks. Republican critics say the foundation makes Clinton, who is seeking the Democratic presidential nomination in 2016, vulnerable to undue influence. Her campaign team calls these claims “absurd conspiracy theories.”

  The charities’ errors generally take the form of under-reporting or over-reporting, by millions of dollars, donations from foreign governments, or in other instances omitting to break out government donations entirely when reporting revenue, the charities confirmed to Reuters.

  The errors, which have not been previously reported, appear on the form 990s that all non-profit organizations must file annually with the Internal Revenue Service to maintain their tax-exempt status. A charity must show copies of the forms to anyone who wants to see them to understand how the charity raises and spends money.”

 

    If you were discovered to have wrongly reported income o your tax returns would the IRS be so kind as to give you a do-over ?

 

Reuters has the whole story

 

 

 

 

 

 

 

 

 

 

 

Hillary Clinton’s Campaign Isn’t Answering Questions About Sketchy Clinton Foundation Donations

 

 

 

 

” The latest installment in the ongoing saga of shady Clinton Foundation finances is a story involving a deal in which Russians took take greater control of a major U.S. uranium company, Uranium One.

  The details are somewhat involved, but the gist is that because the takeover deal involved uranium, a strategic asset, it required approval from then-Secretary of State Hillary Clinton. Around the same time the deal was going through, the Clinton Foundation took millions of dollars in donations from a foundation run by the founder of Uranium One and did not disclose the transaction, in defiance of an arrangement made with the Obama administration to identify Clinton Foundation donors. In addition, Bill Clinton was paid $500,000 by a Russian financial firm linked to the Kremlin for a speech in Moscow as the deal was happening. The New York Times has an extensive report, building on work from Peter Schweizer’s book about the Clinton Foundation’s foreign funding, Clinton Cash, here. “

 

Peter Suderman has more at Reason

 

 

 

 

 

 

 

 

 

“Goin’ Down” – Jeff Beck ft Beth Hart

 

 

 

—-

 

 

 

Ron White – Library/Steal Music

 

 

 

 

John Stossel – Those Evil Koch Brothers

 

 

 

Published on Apr 21, 2015

” Howard Dean’s brother Jim (Chairman, Democracy For America) debates John on whether the Koch Brothers are an evil force. http://www.LibertyPen.com “

 

 

 

 

 

 

 

 

 

Stevie Ray Vaughan – Live at Montreux (1985) Full Concert

 

 

 

 

 

Published on May 26, 2014

Stevie Ray Vaughan and Double Trouble performing live at the Montreux Jazz Festival in 1985

Tracklist :
1. Scuttle Buttin’ 1:41
2. Say What! 4:03
3. Ain’t Gone N’ Give Up On Love 8:45
4. Pride and Joy 15:09
5. Mary Had A Little Lamb 20:18
6. Cold Shot – (with Johnny Copeland) 24:26
7. Tin Pan Alley (aka Roughest Place In Town) – (with Johnny Copeland) 30:00
8. Look at little Sister – (with Johnny Copeland) 43:21
9. Voodoo Child (Slight Return) 52:07
10. Texas Flood 1:03:07
11. Life Without You 1:12:07
12. Gone Home 1:20:24
13. Couldn’t Stand The Weather 1:26:05 “

 

 

 

 

 

 

 

 

 

 

 

 

 

—-

Those Ain’t Pants – Anita Renfroe

 

 

 

 

Published on Jan 5, 2015

” Comedian Anita Renfroe knows that some women just don’t have a clue as to whether they are wearing actual pants. Or not.

   Maybe a song is a good way to broach the subject :)
Cigar box guitar from Snowden Guitars http://www.snowdenguitars.com
words and music Anita Renfroe/Bluebonnet Hills Music/BMI 2013
Download the entire comedy concert here: http://www.anitarenfroe.com/product/a… 

 

 

 

 

 

 

 

 

 

 

—-

George Will At The Inaugural Disinvitation Dinner

 

 

 

 

Deanna Bogart On WFPK’s Live Lunch

 

 

 

 

 

Published on Aug 22, 2014

” The Deanna Bogart Band stopped by to promote their new album Just a Wish Away.

http://www.deannabogart.com/
http://wfpk.org/

Set List:
Bye Bye Blackbird
In the Rain
Maybe I won’t
Fine by me if it’s good bayou “

 

 

 

 

 

 

 

 

 

Beavis And Butthead – Hard Sell

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