” At this point in George W. Bush’s presidency, Hollywood uncorked a barrel of anti-Iraq-war movies, all of them in their varying styles trashing the American military or intelligence agencies as vicious murderers, rapists, and all-around freedom-tramplers. Most were duds because the public wanted nothing to do with those messages. But oh, did the critics love ’em.

  In Obama’s “fourth quarter,” as he calls it, Clint Eastwood has released his movie “American Sniper,” starring Bradley Cooper as Chris Kyle, a NAVY Seal who survived four tours of duty in Iraq and was credited with an astonishing 160 confirmed kills. The story ended horribly in 2013, four years after he left the Navy, when he and a friend were shot down at a Texas shooting range. Oh, how the critics hate it.

  New York Times film critic A.O. Scott has indicted the film as political propaganda: “The politics of the Iraq war are entirely absent, which is a political statement in its own right,” he declared. “And though George W. Bush’s name is never invoked, `American Sniper’ can be seen as an expression of nostalgia for his Manichaean approach to foreign policy.” 

  Liberal film critics today don’t like the pairing of “military” and “hero” in the same breath. In their forever-Vietnam mentality, “duty, honor, country” are just fancy words for being tools of a ravenous military-industrial complex that lies its way into war for power and profit.

  Scott is a blatantly dishonest critic for a blatantly dishonest newspaper. Time and again, he demonstrates that films he sees as conservative must be denounced as ridiculously propagandistic, but films he sees as liberal aren’t propaganda, but important lessons for the country. Conservative films are often pulp; liberal films are often works of art.”

 

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